I'm wondering if you can give me some critique on my first chapter whether you like it or don't. I want to spice it up a bit and would like some ideas as to what I could do. I don't know how to do that box thing with the cover and synopsis, so I'm just going to post the link:
My Succubus Roommate.
Would not keep reading.
It's structured well and it's written fine on a technical level. It's just the humor and presentation didn't work for me. It's pretty juvenile. Listen man, humor is subjective and there are only so many ways I can say I didn't find it funny.
The one thing I didn't like was the bait and switch opening. It was pretty clear what was going on and I'm not sure what it adds. For something that reads like more of an overt comedy. . . maybe start with a joke?
If this is still open,
“...so other worlds with magic are real, and supposedly my mom was a princess from one of them and they’re asking me to go there because I’m next in line for the throne.” High school friends Mark and Joel have their lives uprooted when Joel discovers that his...
www.scribblehub.com
(and thanks folks who helped me make the synopsis a little better.)
Sure why not. Would keep reading.
You are clear and you put a lot of your personality in there. Like, the bit about Civ was cute, I got exactly what you meant. It was almost a complete aside but at least you're actively doing something. And you have some fun and unexpected world building decisions and nothing was particularly offensive. So a genuinely positive experience.
The one bit that bothered me was the MC being brought into all this secret stuff and even coming along to a secret meeting. You really need more of a justification than "why not." Maybe just a line how the friend asked for MC to join and was surprised when they gave him whatever they wanted? Needs something. Because at the point that the government is involved, you have to assume some sort of logical procedure AND explain why everyone doesn't know.
Oh and having the MC be the friend to the normal isekai protag is fun and interesting. Humble I guess?
Could you take a look at the first two chapters and tell me if the change of location (He hops worlds) is too jarring? Thanks.
Out of this world
Would keep reading.
On to the specific question. Yes it is jarring. The initial premise and promise have nothing to do with portal fantasy. it's commendable when people take the extra effort to build out their stories and create a fantastical world, but it puts a greater burden on the writer to make the transition from one world to the next clean and sensible. Remember, your audience is expecting this sci-fi/magic story and we don't know about the "Flame magic" enough to understand that what's happening isn't normal and it's killing him.
It wasn't horribly clear the MC was dying. Why would the MC think he was going to another world? Things like that. I didn't go all the way through Chapter 2, but just skimming the start, I feel like all your issues could be resolved by just rewriting the ending of Chapter 1.
I wouldnt mind ya taken a look at my first chapter and sharing some thoughts and pointers! I can always use feedback to improve.
Would keep reading.
Generally interesting with a sense of excitement. You do however have a major technical issue with keeping your tenses straight– especially during scene setting.
"Sweat was beading on my forehead, the sun high in the sky. It was a little past noon if I had to guess. Just a few more hours of this and I will be done for today, I assured myself. My hands were calloused from all the work I did in the fields, my hair cropped short and my slender build well toned, although I was only strong and not very athletic. I've been working in the fields since my grandfather took me in following the death of my parents.
"The village I live in is nothing to write home about, it's a rundown town on the furthest border from the Capitol. Mostly outcasts and families labled as non-essential lived here. Non-essential meant you had no real talent for magic and you were useless in the eyes of the people who dispensed worth to the masses. Everyone who lived here was poor, with no real means to support themselves, so we worked the fields to feed our families.
Not sure if you're still doing these, but if you are, I'd love it if you could take a look at
The Stormcrow Cycle.
Even if you're not still doing these, I'd like to say kudos to you for contributing to the community! Thanks! =)
Would keep reading.
This was very, very good. It's one of those where it looks like the person publishing it wants to be a professional writer/ wanted their work formally published. So I'm going to critique it on that level and hopefully provide some helpful advice why it's not quite on that level for myself.
So three things: the MC and the prose and the grounding.
1) The MC is a bit distant. I know what you're thinking, we're in their head quite a bit! She tells us so many things. . . kind of.
"The man was going to die."
. . .
"Ba’an watched the blond man bleed. Gut wounds were a terrible way to die. If she had arrived even a minute or so sooner, she could have likely saved him from that fatal blow.
If she had wanted to."
You establish a fact, AND THEN you tell us how Baan feels about it, or reacts to it. I could pull up any number of paragraphs to reitterate this point.
"
The road was relatively new, though one would have never guessed it with the way it looked. Here the
illustrious empire had built one of their cobbled roads through the sand, but the desert could only be delayed, not defeated. Sand often blew in and covered the stones, and the carved red cliffs that marked the start of K’Avaari territory loomed over it, a constant reminder of just whom this stretch of desert
really belonged to."
Fact: The road was new.
VP: Illustrious empire built this road.
Same information. And once the fact is established, you reestablish it with the personality put in. Your writing would be so much stronger if you nixed the plain factual bits and let us experience the story with your MC.
"Ba’an watched the blond man bleed. Gut wounds were a terrible way to die. If she had arrived even a minute or so sooner, she could have likely saved him from that fatal blow.
If she had wanted to."
That's the opening line to your story right there. But hey let's pump it up even further. DECISIONS informing character, not just opinion or observation. So let's try:
Ba'an watched the blond man bleed. (some descriptor giving us a picture of the wound. Puncture. Slash. whatever it was) Gut wound. She had arrived in time to save him from that, if she wanted to.
Boom. Now you're opening paragraph establishes just as much information. Establishes character through their view point. And has them ladled with a decision, hooking the audience right away and getting them to read on to answer that question.
2) Prose. This is far more technical, but a lot of the writing felt very YA to me, only to find that wasn't what you were going for at all.
3) The grounding. Stories need relatability. Context. You have an exciting little tiff in the desert. . . but why should I care? Especially since a lot of this is presented as the MC passively watching two unrelated parties. The fact that she involves her self at the end is nice and the proper punch to the chapter, but you need one sentence– literally one– establishing why this has nothing to do with her and establish why she has something better to be doing.
You have the internal struggle nailed, but that becomes more of an academic exercise when it's not grounded in reality. It can't just be MC in the desert watching a fight. Mc is in the desert because it's her job to (fill in blank). She stops despite knowing she shouldn't, and then things progress.
Everyone can relate to getting side tracked from responsibilities. Not many people can relate to impassively watching people murder each other for no apparent reason.
Alright that's all I got. Let me know if you want any clarifications.