Anarcho Capitalist propagandas
I'd like to read/hear some of that! In my steampunk novel,
Sisters & Brothers (in-progress, unpublished, loosely based on social strife and worker's movements in the 19th Century), many of the songs they sing are thinly-veiled revolutionary Socialist anthems. Here, the goal is usually to inspire the workers to protest or riot against the factory owners without mentioning anything so inflammatory that the authorities crack down on the union social houses.
I was not born here in the city,
I am just a simple girl,
orphaned when I was so young,
entrusted to a nunnery,
and now I am a runaway,
and now I sit upon your stage,
my working gentlemen and ladies.
Please do not scoff, nor walk away…
I did not have a song in mind,
nay my whole repertoire is empty,
but I recall a lullaby,
soft-sung upon my mother's knee,
hummed as I sit before you gathered folk
as fine as gilded gentry.
This song I sing for you, my friends,
but I am not sure what it means,
an orphan girl singing proud
a tune more fit for kings and queens.
I do not walk their hallowed halls,
my bare feet trailing filthy,
this gown is sewn of cutting-scraps,
my shoulders have grown weary.
I was not born here in the city;
I am just a simple girl,
but it seems to me that life,
it need not be so weary…
I need not work myself to tears
for table scraps, my fingers sore,
my blisters bleeding, hovel in arrears,
that I was meant for something more.
But I am told I'm out of place -
and have you not been told it, too?
To question not these ancient ways,
that you ought labor all your days,
and of your wage be happy?
But, though my mother is long gone,
I will not live life crushed and poor
because I know she would have wanted
for her girl a life that's more.
It started slow - slow and sad, and Stella could barely hear the piano despite the hush of the crowd. But slowly it grew in volume, Lyra's fingers dancing across the keys, her voice lilting in perfect pitches that Stella had never heard her achieve - had never heard
anyone achieve. And by the time her song reached its full volume, her fingers were fluid, filling out more notes than ought to exist in the space of a breath, and coins flew into the little silk hat she'd placed at the front of the stage - pennies, tinpennies, and even a few marks. And when the song was done, there was no applause, because they all sat there, transfixed. Even Stella had to remind herself to breathe. Had to remind herself that this was Lyra, who could barely play a whole chapel processional without making a mistake or two. But it
was Lyra - she slowly uncurled from the piano bench and stepped to fetch her silk hat, making a very Lyra-like curtsy, adorable and slightly embarrassed.
"More!" somebody shouted from just out of view. If Stella had seen who it was, she might have smashed their head for such presumption. But Lyra smiled.
"Enough melancholy… who wants a drinking song?" she shouted, and the crowd cheered. And, as the evening drew on, more people pressed through the crowd at the door.