Yet Another Feedback Thread

PBJ_Time

Active member
Joined
Jun 7, 2023
Messages
104
Points
43
Okay, I know @greyblob bumped this thread for no reason, lol, but I wanna know if you have the time to take a look at my draft. I don't mind if you won't anyway.
 
Last edited:

CharlesEBrown

Well-known member
Joined
Jul 23, 2024
Messages
714
Points
93
If you feel like looking at one or both of mine, please do but if not, no biggie.
Strange Awakening (Does have a bit of a romance angle starting in CH 4 - not a main theme but present for ... well the rest of what I have written, 18 chapters, but until either tonight or tomorrow, only have five here)
Diamond in the Rough (Chapters may be a bit short, though)
 
Last edited:
Joined
Feb 29, 2024
Messages
47
Points
18
If you can spare the time, any feedback, tips and tricks you are willing to offer for the following will be greatly appreciated.

 

AdOtherwise

Owl Who Reads · Hoot Hoot
Joined
Apr 8, 2023
Messages
110
Points
43
I figured I'd throw out my own feedback thread.

1.) I've been told that I'm very blunt. So keep that in mind.
2.) I don't really like grimdark all that much. So if it is a murderhobo story I'd rather not read it.
3.) Smut. I don't mind a little smut but anything that is pushing scribblehub's TOS I would like to avoid.
4.) Romance. This is the same as above, a little romance is okay but if the main hook is people pining for one another please don't ask me to review it. (A good example of a romance I like would be pride and prejudice, the hook is the getting the the daughters married off but the story is more about intrigue and misunderstanding)
5.) Multi-main-character. Going to be frank, with this one, it just doesn't work for me as a genre. I almost always find the pacing horrible and just want to tell the author to split them into different books in the same universe.
I've been told the story feels grimdark in the first chapter or two, but that derails quickly sad to say. (I am a grimdark enjoyer and am upset I did not stick with the genre.)
 

melchi

What is a custom title?
Joined
May 2, 2021
Messages
2,426
Points
153
I'll chuck my hat into this thread be as constructively blunt as possible.
So my first impression is that this chapter lacks clarity. A first chapter needs to provide a clear hook. It needs to answer the question: "Why should I read this story? What's the thing that I want to find out about."

It hurt like hell. To call it a mind-splitting headache would be an understatement.


He quivered his tail, and his ears flopped down. Martyn was in theoretical hell. In front of him was a charred circle of grass.
Martyn is used in the 3rd sentence. A paragraph is meant to be read linearly so in order for this to work, Martyn needs to be in the first sentence because how it is now, someone has to read then back up and correct themselves.

1.) Someone is hurt.
2.) Someone has a tail and ears.
3.) Goto 1 and replace someone with Martyn (This is called a speed bump, readers drop fictions because of it.)

Unless this is some kind of EGO death? Did a panther beast kin get his soul replaced by an otherworlder? Unclear. (And if so I would say that is a big turn off for a lot of readers, body snatcher mechanics are really dark)
“Let’s go! Yes! I’m not a one-monster tamer! Even though I had to accept I could only tame one monster, having options now is much better.”


‘I can tame more monsters now! I’m not even mad about failing the summons; all this is much better.' A gleeful squeal left him.
Double quote or single quote for dialogue? Pick one and stick with it. If single quote is supposed to be inner monologue that is unclear to me. Arte they both talking out loud? Unclear.

[You have gained a multitude of titles! Your skill “strong mind” has levelled up!]

Leveled is spelled wrong.
Also, I would advise not using the term "multitude of tittles" If more than one thing happens list all of them, being vague is bad.

I would say I would not read this one. Mostly because it is really hard to follow followed by what looks like the protag is not likeable.
Okay, I know @greyblob for no reason, lol, but I wanna know if you have the time to take a look at my draft. I don't mind if you won't anyway.
I think the synopsis is good. It says it is about hoards of monsters in no uncertain terms. Very clear. Good job.

As for the first two paragraphs, they are passive voice. I'm not saying it is bad, but it doesn't make a good first impression.

Also, might want to pick different word for how the field looks. As it is now it is an oxymoron.
was a field devoid of life. There was nothing but blades of grass
Devoid of life.... but grass...
Um.... grass is alive, the field is not devoid of life if it has grass.
That was until he decided to kick a rock into one of the unassuming boulders. Just as he moved away into another spot, a faint voice beckoned, “Psst… over here.” At long last, there were signs of life.
Paragraphing matters. The first sentence establishes the actor of the paragraph to the reader. In this case "He" is the actor in this paragraph. I'm guessing "He" = Hajime

Why does this matter? Clarity.

"a faint voice" should get its own paragraph. Mixing actors in the same paragraph is confusing.

He raised an eyebrow, his mind creating a few scenarios over what that meant. Perhaps he was reincarnated into a world of ravenous zombies or mindless orcs. But that didn’t explain how the stranger didn’t carry as much as a sword, dagger, or RPG. “Would it hurt to explain what’s going on?” he asked.
All pronouns for this paragraph. Looks like it is Hajime talking but there is the stranger there who is also male, using something other than "he" to make it obvious it is Hajime would help here.

I would suggest naming the stranger sooner rather than later and think of some identifying traits of each character to replace the pronouns. EX: Hajime could be "black-haired youth" or something like that. While "stranger" could be man with a raspy voice or something. Picking an identify trait or two helps make it the characters stick out more.
If you feel like looking at one or both of mine, please do but if not, no biggie.
Strange Awakening (Does have a bit of a romance angle starting in CH 4 - not a main theme but present for ... well the rest of what I have written, 18 chapters, but until either tonight or tomorrow, only have five here)
Diamond in the Rough (Chapters may be a bit short, though)
Strange Awakening:
I awoke feeling unusual that morning. At first, I chocked it up to having drank too much the night before. However, as I stumbled around the bedroom, I passed by a mirror and saw, instead of the graying beard and craggy yet almost-but-not-quite-handsome face that always glared back at me in the morning, the face of one of, possibly the, most beautiful women I had ever seen.
This is a really good opening paragraph. +1

Other than that, it seems somewhat slice of life? After reading the first chapter I'm kinda wondering "So what?" I feel like it could be compressed with all the descriptions of stuff in the house.

1.) Wake up in another body.
2.) explore the new surroundings.
3.) End of chapter.

I question the relevancy of all the stuff.
Also, I'd advise putting a pic for the cover. Windows co-pilot can make something for you really easily. Having it blank will miss out on a lot of viewers.
If you feel like looking at one or both of mine, please do but if not, no biggie.
Strange Awakening (Does have a bit of a romance angle starting in CH 4 - not a main theme but present for ... well the rest of what I have written, 18 chapters, but until either tonight or tomorrow, only have five here)
Diamond in the Rough (Chapters may be a bit short, though)
As for diamond in the Rough, the chapters are a bit short but I think they end and begin with the next chapter in an organic manner. Only looked at the first two but it seems well done. The only thing I'd suggest changing is to only use untagged dialog when two people are taking. I get that it is just detective diamond who talks with untagged dialogue but adding a couple words is a small price to pay for clarity.
 
Last edited:

LesserCodex

Well-known member
Joined
Sep 8, 2022
Messages
82
Points
58
So my first impression is that this chapter lacks clarity. A first chapter needs to provide a clear hook. It needs to answer the question: "Why should I read this story? What's the thing that I want to find out about."


Martyn is used in the 3rd sentence. A paragraph is meant to be read linearly so in order for this to work, Martyn needs to be in the first sentence because how it is now, someone has to read then back up and correct themselves.

1.) Someone is hurt.
2.) Someone has a tail and ears.
3.) Goto 1 and replace someone with Martyn (This is called a speed bump, readers drop fictions because of it.)

Unless this is some kind of EGO death? Did a panther beast kin get his soul replaced by an otherworlder? Unclear. (And if so I would say that is a big turn off for a lot of readers, body snatcher mechanics are really dark)

Double quote or single quote for dialogue? Pick one and stick with it. If single quote is supposed to be inner monologue that is unclear to me. Arte they both talking out loud? Unclear.



Leveled is spelled wrong.
Also, I would advise not using the term "multitude of tittles" If more than one thing happens list all of them, being vague is bad.

I would say I would not read this one. Mostly because it is really hard to follow followed by what looks like the protag is not likeable.

I think the synopsis is good. It says it is about hoards of monsters in no uncertain terms. Very clear. Good job.

As for the first two paragraphs, they are passive voice. I'm not saying it is bad, but it doesn't make a good first impression.

Also, might want to pick different word for how the field looks. As it is now it is an oxymoron.

Devoid of life.... but grass...
Um.... grass is alive, the field is not devoid of life if it has grass.

Paragraphing matters. The first sentence establishes the actor of the paragraph to the reader. In this case "He" is the actor in this paragraph. I'm guessing "He" = Hajime

Why does this matter? Clarity.

"a faint voice" should get its own paragraph. Mixing actors in the same paragraph is confusing.


All pronouns for this paragraph. Looks like it is Hajime talking but there is the stranger there who is also male, using something other than "he" to make it obvious it is Hajime would help here.

I would suggest naming the stranger sooner rather than later and think of some identifying traits of each character to replace the pronouns. EX: Hajime could be "black-haired youth" or something like that. While "stranger" could be man with a raspy voice or something. Picking an identify trait or two helps make it the characters stick out more.

Strange Awakening:

This is a really good opening paragraph. +1

Other than that, it seems somewhat slice of life? After reading the first chapter I'm kinda wondering "So what?" I feel like it could be compressed with all the descriptions of stuff in the house.

1.) Wake up in another body.
2.) explore the new surroundings.
3.) End of chapter.

I question the relevancy of all the stuff.
Also, I'd advise putting a pic for the cover. Windows co-pilot can make something for you really easily. Having it blank will miss out on a lot of viewers.
Thank you for taking the time to read and review my work I appreciate it.

So first I went back and solved the speed bump in writing I did not know that was a thing. Glad to know about it now. Second, the single quote is for thoughts, I went back and clarified that I don't use italics but I would only highlight words, convey tones, or whispers. Thank you for Leveled I thought it was two Ls. I think I wrote it like that for a lot of my chapters now I gotta go back... goddammit.

Also, I can see why the protag might come off as unlikable as someone else mentioned it in another review but also could see I'm trying to have him change his mindset. So glad to see I did half of that right which means I've done the other half just as good, or I hope.
 

melchi

What is a custom title?
Joined
May 2, 2021
Messages
2,426
Points
153
If you can spare the time, any feedback, tips and tricks you are willing to offer for the following will be greatly appreciated.

An amnesiac wakes up in a ditch. Watch him try to piece his life back together while facing old and new challenges.
PS: This story is set in a fantastical world but probably a bit generic.
First thing I noticed is that the synopsis is a bit underwhelming. Calling your world generic is self depreciating at the very least I'd suggest deleting that part.

The gossip queen seemed to be..
I would suggest avoiding terms like "seemed to be" and replace it with an active verb. "The gossip queen enjoyed..."

I don't really like the inner monologue but that is just me. Other people do, but I think it could be tightened up a bit and be better.
I've been told the story feels grimdark in the first chapter or two, but that derails quickly sad to say. (I am a grimdark enjoyer and am upset I did not stick with the genre.)
An old man with gray hair whistled an off-key tune.


He pushed a wheelbarrow, its rusted wheels screeching like a tortured banshee.


His clothes were stained and tattered. He was a person who spent his life clinging to small joys, one of these joys was burying the dead with some form of dignity. That and drowning himself in alcohol.


He brought the wheelbarrow and started digging. His shovel hit the soil and he muttered, "Another day another grave."
My first impression is why is this a series of different paragraphs? All of this stuff is the old man, I think it would be better if it get combined into one paragraph because it is all the same actor. It adds a lot of white space that is unneeded IMO.

Space seemed to warp... first seemed like a small ring of light
Suggestion: Avoid the phrase "seemed to" "Space warped..." is stronger verbage. The phrase "seemed like" is also not great.

"Space warped and a small ring of light turned into a massive mouth." It uses less words and has a better pop.

A small dot inside the vast light became bigger and bigger until a boy plopped out. Among the many emotions the child was surely feeling, confusion, fear, and curiosity stuck to his face the most.


Landing in a pile of mud, the boy's body was layered with murky brown and grossness.


His eyes darted around his surroundings, struggling to take it all in. Frog-like creatures eyed him from greenish pools. Gnarled trees and snaking vines appeared all too alien to him, as were the echoing howls and screeches of beasts he couldn't fathom.

Paragraphing problems here. Each actor should get its own paragraph. The closer to the start of the paragraph the better. "A small dot" says this is a paragraph about a small dot, it would be better to put the boy at the start of the paragraph.

EX: "A boy plopped out of a of the massive mouth...."

Also, these 3 paragraphs are all "small boy ones." I would suggest combining them and starting a new paragraph at the introduction of "Frog-like creatures."

"the child was surely feeling" -> Replace with "the child felt" so it isn't passive.

Feick should be named right away. Having unnamed characters tells the reader they are throwaway characters so giving the old man a name right away would be better.

Overall, I think the prose is not bad. It is a little weird that the old man didn't seem surprised by someone appearing from a magical mouth. I'm guessing that is normal for him?
 
Last edited:

CharlesEBrown

Well-known member
Joined
Jul 23, 2024
Messages
714
Points
93
Strange Awakening:

This is a really good opening paragraph. +1
Thanks (both for the review and, especially, for this comment). I wrote that paragraph about a month or so before I started writing the story to go with it. Don't even remember where it came from but just came up with it one night, kept thinking about it, and came up with the story to go with it slowly.
Other than that, it seems somewhat slice of life? After reading the first chapter I'm kinda wondering "So what?" I feel like it could be compressed with all the descriptions of stuff in the house.

1.) Wake up in another body.
2.) explore the new surroundings.
3.) End of chapter.

I question the relevancy of all the stuff.
Most of it is meant more for realism, to ground the character, as things will get very weird very soon, and I want a solid foundation to work from there.
Also, I'd advise putting a pic for the cover. Windows co-pilot can make something for you really easily. Having it blank will miss out on a lot of viewers.
That is something I need to work on. Have a good graphics program but it needs a CD drive to install and I do not have a computer with one, so covers will have to wait a bit.
As for diamond in the Rough, the chapters are a bit short but I think they end and begin with the next chapter in an organic manner. Only looked at the first two but it seems well done. The only thing I'd suggest changing is to only use untagged dialog when two people are taking. I get that it is just detective diamond who talks with untagged dialogue but adding a couple words is a small price to pay for clarity.
Took me too long to realize what "untagged" means - you mean include "I said" or such when he is speaking, as well as when people are speaking to him?
 

melchi

What is a custom title?
Joined
May 2, 2021
Messages
2,426
Points
153
Took me too long to realize what "untagged" means - you mean include "I said" or such when he is speaking, as well as when people are speaking to him?
Yeah, not everyone will say this but I prioritize clarity. So having an action tag or a dialogue tag is important to me.

With AI it is easy to make a placeholder cover. Here's some examples. OIG4.E0FeDvyF7PttUZ5c.jpg OIG3 (2).jpg OIG4 (3).jpg
Though doing text is a bit hit or miss, mostly miss.
 

PBJ_Time

Active member
Joined
Jun 7, 2023
Messages
104
Points
43
So my first impression is that this chapter lacks clarity. A first chapter needs to provide a clear hook. It needs to answer the question: "Why should I read this story? What's the thing that I want to find out about."


Martyn is used in the 3rd sentence. A paragraph is meant to be read linearly so in order for this to work, Martyn needs to be in the first sentence because how it is now, someone has to read then back up and correct themselves.

1.) Someone is hurt.
2.) Someone has a tail and ears.
3.) Goto 1 and replace someone with Martyn (This is called a speed bump, readers drop fictions because of it.)

Unless this is some kind of EGO death? Did a panther beast kin get his soul replaced by an otherworlder? Unclear. (And if so I would say that is a big turn off for a lot of readers, body snatcher mechanics are really dark)

Double quote or single quote for dialogue? Pick one and stick with it. If single quote is supposed to be inner monologue that is unclear to me. Arte they both talking out loud? Unclear.



Leveled is spelled wrong.
Also, I would advise not using the term "multitude of tittles" If more than one thing happens list all of them, being vague is bad.

I would say I would not read this one. Mostly because it is really hard to follow followed by what looks like the protag is not likeable.

I think the synopsis is good. It says it is about hoards of monsters in no uncertain terms. Very clear. Good job.

As for the first two paragraphs, they are passive voice. I'm not saying it is bad, but it doesn't make a good first impression.

Also, might want to pick different word for how the field looks. As it is now it is an oxymoron.

Devoid of life.... but grass...
Um.... grass is alive, the field is not devoid of life if it has grass.

Paragraphing matters. The first sentence establishes the actor of the paragraph to the reader. In this case "He" is the actor in this paragraph. I'm guessing "He" = Hajime

Why does this matter? Clarity.

"a faint voice" should get its own paragraph. Mixing actors in the same paragraph is confusing.


All pronouns for this paragraph. Looks like it is Hajime talking but there is the stranger there who is also male, using something other than "he" to make it obvious it is Hajime would help here.

I would suggest naming the stranger sooner rather than later and think of some identifying traits of each character to replace the pronouns. EX: Hajime could be "black-haired youth" or something like that. While "stranger" could be man with a raspy voice or something. Picking an identify trait or two helps make it the characters stick out more.

Strange Awakening:

This is a really good opening paragraph. +1

Other than that, it seems somewhat slice of life? After reading the first chapter I'm kinda wondering "So what?" I feel like it could be compressed with all the descriptions of stuff in the house.

1.) Wake up in another body.
2.) explore the new surroundings.
3.) End of chapter.

I question the relevancy of all the stuff.
Also, I'd advise putting a pic for the cover. Windows co-pilot can make something for you really easily. Having it blank will miss out on a lot of viewers.

As for diamond in the Rough, the chapters are a bit short but I think they end and begin with the next chapter in an organic manner. Only looked at the first two but it seems well done. The only thing I'd suggest changing is to only use untagged dialog when two people are taking. I get that it is just detective diamond who talks with untagged dialogue but adding a couple words is a small price to pay for clarity.
Thanks for the feedback! When I wrote "devoid of life," I went for the idea that there was no sign of sentient life when Hajime arrived. Sometimes, adjectives are a necessity rather bogging down the writing. I also emphasized Hajime as "he" the most because it's mostly written through his perspective (and because another user who gave me feedback advised me not to use name repetitions on every paragraph), but I guess I overdid it. I agree with everything else you've said, though, so don't worry.
 
Joined
Feb 29, 2024
Messages
47
Points
18
First thing I noticed is that the synopsis is a bit underwhelming. Calling your world generic is self depreciating at the very least I'd suggest deleting that part.


I would suggest avoiding terms like "seemed to be" and replace it with an active verb. "The gossip queen enjoyed..."

I don't really like the inner monologue but that is just me. Other people do, but I think it could be tightened up a bit and be better.


My first impression is why is this a series of different paragraphs? All of this stuff is the old man, I think it would be better if it get combined into one paragraph because it is all the same actor. It adds a lot of white space that is unneeded IMO.


Suggestion: Avoid the phrase "seemed to" "Space warped..." is stronger verbage. The phrase "seemed like" is also not great.

"Space warped and a small ring of light turned into a massive mouth." It uses less words and has a better pop.



Paragraphing problems here. Each actor should get its own paragraph. The closer to the start of the paragraph the better. "A small dot" says this is a paragraph about a small dot, it would be better to put the boy at the start of the paragraph.

EX: "A boy plopped out of a of the massive mouth...."

Also, these 3 paragraphs are all "small boy ones." I would suggest combining them and starting a new paragraph at the introduction of "Frog-like creatures."

"the child was surely feeling" -> Replace with "the child felt" so it isn't passive.

Feick should be named right away. Having unnamed characters tells the reader they are throwaway characters so giving the old man a name right away would be better.

Overall, I think the prose is not bad. It is a little weird that the old man didn't seem surprised by someone appearing from a magical mouth. I'm guessing that is normal for him?
Much obliged. Will look into it.
 

Paul_Tromba

Sleep deprived mess of a published author
Joined
Jan 29, 2020
Messages
4,771
Points
183
Maybe you could give it a try if you find it interesting.
 

melchi

What is a custom title?
Joined
May 2, 2021
Messages
2,426
Points
153
Maybe you could give it a try if you find it interesting.
I think I've already given you feedback from when it first got published.
 

harrydouthwaite

Active member
Joined
May 4, 2023
Messages
32
Points
33
Here is my finished tale. I look forward to hearing from you. (Twelve chapters, 75k words).
 
Last edited:

melchi

What is a custom title?
Joined
May 2, 2021
Messages
2,426
Points
153
Here is my finished tale. I look forward to hearing from you. (Twelve chapters, 75k words).
First observation: Your synopsis is way too long. I'd suggest either rewriting it or cutting it down to 1/3 of the size. Having 3 named characters in the synopsis is a big (-) in my book. It makes me think it is going to be one of those multi-main-character stories (hiss!)


Rays of morning late-June sunshine warmed the air. Newly-sprouted green leaves on dozens of tall trees fluttered and rustled in a gentle breeze at St. Margarets station. Under the shade of the white wooden canopy of the building on the first platform, a lean eleven year old boy sat alone on a blue metal bench. His slightly curly, sandy hair hung about his face uncombed. He was dressed in his school uniform, a crimson sweatshirt with a the a white polo shirt underneath, and grey trousers. He scratched at the collar of his undershirt, it had turned to face upwards under his chin and felt uncomfortable. He reached down for his backpack and pulled out a paper notebook in his left hand, on the front his name was inscribed in blue pen – Robin Brush.
1.) This paragraph is incredibly long.
2.) The paragraph is backward. The first sentence suggest this is a weather paragraph. Robin Brush is the last word in the paragraph. Shouldn't Robin be mentioned first? Stuff at the end tends to not get noticed as well.

Just then, two bicycle tires poked around the corner of the yellow brick station building, and before him stood Joshua Meadows, and his younger brother. Both of them had the same school uniforms.
Similar issue with this paragraph. BICYCLE TIRES is what pops the most but this is a Joshua paragraph. Backward.

Also, there is several untagged dialogues ... -1

I generally dislike that style of writing but even people who approve of it say that it only works when there are only 2 people. If this scene was just Robin and Joshua maybe it would work, but there are a whole lot of named characters.

Verdict: Clarity is not a priority, if it gets rewritten I'd suggest following some writing guides about paragraphing. Also, tightening up the word count would help. I think there are 7 paragraphs before anyone says anything. Those big blocks of text are intimidating.
 

melchi

What is a custom title?
Joined
May 2, 2021
Messages
2,426
Points
153
https://www.scribblehub.com/series/...f-this-world-to-defeat-him-and-save-our-land/

Mine's far from finished, but I'd appreciate any feedback you're willing to give.
Not sure about the Synopsis. It isn't bad but I feel it is a little long. (Also, the harem tag tends to put me off a bit so it is hard for me to look at anything objectively that is harem)

Some of the prose is a little weird. Like in the paragraph about the party members it is written more like they are an extension of "I" instead of real people, I'm guessing that is on purpose though?

I felt my attack strike true as I blasted past the Demon King, skidding to a halt behind him. I turned to look at him as I sheathed my sword at my waist.
This sentence is poop though. Chaining actions together with as is not prose to use in a novel. These things are happening at the same time, in order for a reader to picture them they have to stop and reset their mental movie. It isn't even needed, it is just being used to comma splice separate sentences together.

The proper use of as in novels is at the first word "As I struck true . . . " Or as a comparison "The side characters are dull as mary sue"

I think tightening up the action tags would help, having less word count is better.

Like this for example:
"You did it, my love," said Heide, burying her face into my right arm, "It's over."
"Said Heide" is not needed. Just using the action tag is enough to identify who is talking.

My dislike for Harem aside, it is done fairly well. The paragraphs could be tightened up a bit but that isn't anything major.
 

DJ_Rhaposdy

Well-known member
Joined
Apr 27, 2022
Messages
26
Points
53
Not sure about the Synopsis. It isn't bad but I feel it is a little long. (Also, the harem tag tends to put me off a bit so it is hard for me to look at anything objectively that is harem)

Some of the prose is a little weird. Like in the paragraph about the party members it is written more like they are an extension of "I" instead of real people, I'm guessing that is on purpose though?


This sentence is poop though. Chaining actions together with as is not prose to use in a novel. These things are happening at the same time, in order for a reader to picture them they have to stop and reset their mental movie. It isn't even needed, it is just being used to comma splice separate sentences together.

The proper use of as in novels is at the first word "As I struck true . . . " Or as a comparison "The side characters are dull as mary sue"

I think tightening up the action tags would help, having less word count is better.

Like this for example:

"Said Heide" is not needed. Just using the action tag is enough to identify who is talking.

My dislike for Harem aside, it is done fairly well. The paragraphs could be tightened up a bit but that isn't anything major.
Thanks! I'll keep this in mind for my rewrite. As is a word I'm always looking to strike from my prose so I'm glad you feel the same. Also, don't worry too much about the Harem tag, there is a harem, but they're more like grunts for the antagonist Hero.
 

SSPy

Active member
Joined
Mar 27, 2022
Messages
14
Points
43
Hi, here is mine. Thank you.

 
Last edited:
Top