Motsu
Game Lead Programmer x WebAppSoft
- Joined
- Jun 24, 2020
- Messages
- 1,096
- Points
- 153
First starting with me—Motsu.
The extent of my ability to identify problems using extreme observation within my story is practically satisfactory—furthermore, my way of identifying problems all came from different types of experience leading to my absolute rule when writing, "Never contradict yourself"—always have a clear goal, always have visualizable and emotionally evoking scenarios, a logical flaw of information and imaginative way of storytelling.
My three processes for identifying problems are:
So, in many ways possible, a problem arises in a story whenever—from a reader's perspective—the storytelling doesn't clarify them and make them visualize the scene you were trying to portray. And that's a big problem! Thing is, problems are what could be considered natural disasters—they occur without any way completely stopping them because problems can be subjected for the readers and authors and they may also be just the "styles of writing".
2. UNDERSTANDING THE PROBLEM
—So you might also ask, "How am I supposed to understand the problem if I don't get along with the problems?"
But as a learning process, you should always reflect upon your mistakes by trying to have an in-depth discussion with yourself about the given mistake or ask for someone's help to make you understand why it is a problem. The more you understand your problem, the more you are able to surpass these problems with innovative and game-winning methods of solving them.
3. FIXING THE PROBLEM
—So you might also wanna ask this, "How can I fix the problem if the problem is beyond my reach?"
Actually... just get an editor already. But, to put it bluntly, how you fix your problem is based on how you understand the problem you've identified. So while it is indeed a learning process, it can also be time and mentally-consuming.
That's about some of the small concepts I wanna share with you, folks!
What about you? What is your approach when it comes to editing your story in terms of logic, experience, and intuition?
The extent of my ability to identify problems using extreme observation within my story is practically satisfactory—furthermore, my way of identifying problems all came from different types of experience leading to my absolute rule when writing, "Never contradict yourself"—always have a clear goal, always have visualizable and emotionally evoking scenarios, a logical flaw of information and imaginative way of storytelling.
My three processes for identifying problems are:
- IDENTIFYING THE PROBLEM.
So, in many ways possible, a problem arises in a story whenever—from a reader's perspective—the storytelling doesn't clarify them and make them visualize the scene you were trying to portray. And that's a big problem! Thing is, problems are what could be considered natural disasters—they occur without any way completely stopping them because problems can be subjected for the readers and authors and they may also be just the "styles of writing".
2. UNDERSTANDING THE PROBLEM
—So you might also ask, "How am I supposed to understand the problem if I don't get along with the problems?"
But as a learning process, you should always reflect upon your mistakes by trying to have an in-depth discussion with yourself about the given mistake or ask for someone's help to make you understand why it is a problem. The more you understand your problem, the more you are able to surpass these problems with innovative and game-winning methods of solving them.
3. FIXING THE PROBLEM
—So you might also wanna ask this, "How can I fix the problem if the problem is beyond my reach?"
Actually... just get an editor already. But, to put it bluntly, how you fix your problem is based on how you understand the problem you've identified. So while it is indeed a learning process, it can also be time and mentally-consuming.
That's about some of the small concepts I wanna share with you, folks!
What about you? What is your approach when it comes to editing your story in terms of logic, experience, and intuition?
To what extent of scrutiny are you able to determine grammatical and logical problems within your story?
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