MajorKerina
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- May 2, 2020
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General thought process question for something I'm working on right now.
I've actually had a character who is an antagonist go from seeming like a total scoundrel to redemption in their backstory. While I'm tempted to take the same route again with another character, I have something different in mind. I was reflecting on the nature of good and evil.
I was fascinated by the reaction that can happen when a character doesn't do anything wrong, behaves kindly, is otherwise sympathetic but when readers learn their identity they suddenly turn on them and see all their actions in the new light even though nothing has changed but their preconceptions. How a character can divert from or feed into those preconceptions fascinates me.
Example show a little Austrian boy in the late 19 century who is strongly connected to his mother. Maybe make it not so obvious. Or even misdirect like how Adolf Hitler, Leon Trotsky, Joseph Tito, Sigmund Freud and Joseph Stalin all lived within a few miles of each other in Vienna in 1913.
It's fascinating how a reader might interpret even the most insignificant actions of a character they think is evil as a clear sign of their eventual evil doing or if they think a character is virtuous then every positive sign will be a note of that virtue.
One inspiration I had in mind for my writing was Ursula K Le Guin's "Those Who Walk Away From Omelas". And how the utopian society is built on a horrible, evil act and how that's basically an indictment of our society as well. Children live in that perfect society but one day have to learn the secret... it's somehow maintained by keeping a single child in horrible squalor, darkness and suffering forever.
Is it evil to maintain that society knowing the cost? Do you walk away? Alternatives I have heard is to kill the child and release them from suffering and screw the society, let it crumble. And take the place of the child as the one who endures as the scapegoat in suffering.
It's a complicated thought without any easy answers. But I was just wondering considering the nature of all those factors, what is good and what is evil. Are either absolute? How can they vary and how might a character transition to evil or to good credibly and what might be a point past redemption or past corruption?
I've actually had a character who is an antagonist go from seeming like a total scoundrel to redemption in their backstory. While I'm tempted to take the same route again with another character, I have something different in mind. I was reflecting on the nature of good and evil.
I was fascinated by the reaction that can happen when a character doesn't do anything wrong, behaves kindly, is otherwise sympathetic but when readers learn their identity they suddenly turn on them and see all their actions in the new light even though nothing has changed but their preconceptions. How a character can divert from or feed into those preconceptions fascinates me.
Example show a little Austrian boy in the late 19 century who is strongly connected to his mother. Maybe make it not so obvious. Or even misdirect like how Adolf Hitler, Leon Trotsky, Joseph Tito, Sigmund Freud and Joseph Stalin all lived within a few miles of each other in Vienna in 1913.
It's fascinating how a reader might interpret even the most insignificant actions of a character they think is evil as a clear sign of their eventual evil doing or if they think a character is virtuous then every positive sign will be a note of that virtue.
One inspiration I had in mind for my writing was Ursula K Le Guin's "Those Who Walk Away From Omelas". And how the utopian society is built on a horrible, evil act and how that's basically an indictment of our society as well. Children live in that perfect society but one day have to learn the secret... it's somehow maintained by keeping a single child in horrible squalor, darkness and suffering forever.
Is it evil to maintain that society knowing the cost? Do you walk away? Alternatives I have heard is to kill the child and release them from suffering and screw the society, let it crumble. And take the place of the child as the one who endures as the scapegoat in suffering.
It's a complicated thought without any easy answers. But I was just wondering considering the nature of all those factors, what is good and what is evil. Are either absolute? How can they vary and how might a character transition to evil or to good credibly and what might be a point past redemption or past corruption?