I volunteer
my work as tribute (if you'd be so kind). I need to know what it looks like to someone other than me
Genre : Isekai, Fantasy
(Elemental magic, European-Style Kingdoms), Mature (And possible LitRPG)
Content Warnings : Gore, Sexual Content, Strong Language (18+ STRICTLY)
Possible Tropes Inclusion : Weak-to-Strong MC, War Arc, Comedic timing, Fantasy Racism, etc
Rating: Would read one more chapter to find out.
The Good
I liked the mood.
While I was a bit confused about the logic of the phone booth, it evoked a mysterious and interesting happening. Once I realized that the need to address why it was happening wasn't important, I was more than happy to go along with it.
Needs Improvement
The first half or so leading up to the phonebooth drags. You waste some space there and could really cut that down without losing much of anything.
What really lost me was the last sentence. I was on board for a straight thumbs up going into the end but that last line was a big ole "?".
OVERALL
Good mood, keeps it moving, interesting supernatural-ish goings on with a phonebooth. It could go a lot of ways but I'd definitely be willing to read another chapter since I'm intruiged.
You reviewed my first chapter some time ago, and I was wondering if you do second rounds.

If the answer is yes, please take a gander.
In a universe where some civilizations thrive and others struggle to survive, a hunger for power and dominance has long driven the Manskligs, or humans. But when their reckless pursuit of progress leads to their inevitable downfall, their xenogenic neighbors learn a valuable but misapprehended...
www.scribblehub.com
Rating: Middle of the Road, so would not keep reading.
The Good
There are some effective sentences here. You keep them short and to the point, and they evoke a larger picture than just what's written. It's the kind of writing I'm really looking for when reading any kind of work.
Where You Lost Me
Really, the only snag was the subject matter. The chapter is about a business call bascially, and it just feels like a lot of jargon thrown around to buff up the world building. Why should the audience care about this conversation? What context does the audience even have for this conversation?
I had to re-read it, but I guess it's about the worry of accepting a new client? This is what i'm talking about. Describe your chapter in one sentence. If you can't do that, then it's not a chapter.
OVERALL
It's fine in many ways, just vague and unwieldy. Tell me what you want it to be and I can give you some more critique.
If possible, I would like to have some feedback. Be honest, if it's trash, it's trash:
https://www.scribblehub.com/read/626553-problems-in-the-desolation/chapter/626555/
Rating: Would Keep Reading
The Good
You're strength is definitley in the unique and imaginiative ideas. The mutants were cool. The descriptions sparked my imagination. Even the conflict itself was interesting. We'll get to the execution in the next section, but in terms of pure creative and entertainment value, you get an A+.
Uh-Oh
What I wrote above is a stark contrast to the execution. You're writing is rough and feels like it could use another editing pass. You (very frequently) will repeat not only the same concepts but the same words you did a sentence ago. It's readable but at the same time the prose can grate at places. You stop your story telling for heavy exposition at poor times.
OVERALL
I like stories like this because they show you don't have to be a good writer to be a good story teller. Would I like the writing to be better? Yes. Does it get a thumbs up anyway because it's interesting and unique? Also yes.
I figure I can toss my coins here for a chance! Let me know honestly how you think about it, I'll do my best to improve thereupon.
Coins require links.