Yet another free feedback thread.

Ishio_Mitsume

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Jun 8, 2022
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6
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1
Good day to you. Before I start with the feedback, I would mention that English is my second language. I stopped reading after finishing CHAPTER 1.

It's cringe, messy, badly written, and illogical. If I had to rate it, I wouldn't give it more than 1.75 stars. I would love to stop the feedback here, but I will elaborate as I brought this upon myself when I started this thread.

First of all, your 'killer feature.' Clicking on the previous chapter instead of the next chapter is a minor inconvenience at max. When I saw your story for the first time, I thought it was weird, and then I forgot about it after a couple of hours passed. I've only remembered this feature when I looked at your novel again to read it for feedback.

Let's start with the fact that the space between your paragraphs is unnecessarily large. The way you group sentences into paragraphs is also weird.

Example.
Yet, it ended after 26 years of brutal and intense warfare.

The final stronghold of the invaders fell under the leadership of a young yet brilliant minor noble that led the [Alliance] for the past 7 years.

In those 7 years, he led hundreds of thousands of soldiers to battle and won stunning and brilliant victories against the unearthly invaders.

Finally the end of the war would see to its conclusion with the final siege of the unearthly bastion.

To the surprise and astonishment of the [Alliance], the siege ended in just a month. News of the bastion burning to ruins had overjoyed the populace.

The swift conquest of the bastion had once more made the young noble much more prominent and his influence grew as a result.

Yet, it ended after 26 years of brutal and intense warfare.

The final stronghold of the invaders fell under the leadership of a young yet brilliant minor noble that led the [Alliance] for the past 7 years. In those 7 years, he led hundreds of thousands of soldiers to battle and won stunning and brilliant victories against the unearthly invaders.

Finally the end of the war would see to its conclusion with the final siege of the unearthly bastion.

To the surprise and astonishment of the [Alliance], the siege ended in just a month. News of the bastion burning to ruins had overjoyed the populace. The swift conquest of the bastion had once more made the young noble much more prominent and his influence grew as a result.

What's the reason for writing one-sentence paragraphs?

Your tenses shift all the time.
Examples.
The noble takes the bag and swiftly begins to read through them as the fellow general leaves his castle while escorted by his personal guards.
It didn't take long for him to become aware of the situation and learn of the various plots going on within the court.
Informed of the plots, the young noble became disgruntled.

"I thought I had already conquered this fear before... I guess I'm still wrong... hehe..."
He takes a deep breath as he slips to a deep slumber.
Days passed until the day of his execution. By this point the once young general had seemed to have aged drastically.

"Look! How the mighty have fallen. Where was once your charm o solar general? Where was once your mocking tone?"
Yelled a man that the general recognize as one of the honored "heroes" that "fought" by his side.
"Well? Are you going to blame anyone? Are you not going to mock no more!" The man laughs mockingly.


There are a lot of weird phrases.
Examples.
The noble was angry, he didn't like that the upper class were busy increasing their own power and doing nothing to help rebuild for the betterment of the people. Rebuild what?

He gave his first forgiveness to the King when he wasn't honored as much as the other nobles and favored those that were deemed his enemies. Weirdly phrased.

Furthermore, as years progressed his soldiers would desert his march and end up marauding and harassing both the people of the lands and the general's army. Desert his march?

Despite the treatment he didn't resent, but when the King rewarded nobles that didn't deserve it, he began to feel resentment. Weirdly phrased

I was never a faithful person, but coming back to life makes me rethink my own beliefs. I understand what you wanted to say. "I was never a strong believer." I'm not sure about others, but when I hear that someone was never a faithful person, I think that person has cheated on his partner(s) a lot.

A typo.
The lands of the [Alliance] were burnt to sunders in order to slow his march. Probably burnt to sinders.

You also don't add enough details and descriptions. The text is very barebones, and there is almost nothing besides the descriptions of actions. MC did that; he proceeded to do that, then those people did that in return.

Why is it messy? Well, let's look at two paragraphs from your prologue.

Hearing of this, a [Patriarch] from a city-state made contact with the hero. He offered the noble to join his side, to join the Republics.

"Look! How the mighty have fallen. Where was once your charm o solar general? Where was once your mocking tone?" Yelled a man that the general recognize as one of the honored "heroes" that "fought" by his side.

Noticed something? You call the MC a general, and there is an old general. Then you call MC a noble, and there are a lot of other nobles. Then you call MC a hero, and there is another 'hero' who makes an appearance. How am I supposed to keep in my mind who is who and not confuse anything?

Why it's illogical?

For my safety, she quarantined herself.

"Anyways, can you go and feed your mother?"
He poured stew into a wooden bowl and handed it to me.
??????????

I don't even want to say how a young hero, a general who apparently was responsible for winning a war, lost against... logistics...
Not a betrayal, not a cunning scheme, no. He SEIZED THE CAPITAL, and he decimated the armies. Yet somehow, after burning down their own lands and being beaten time and time again, his enemies got tons of soldiers(probably out of their butts) while he wasn't able to think of a temporary withdrawal. Truly a war genius.

Why it's cringe? All the problems I mentioned make the story very childish, yet you try hard to invoke feelings in me. Oh, he was so good! He wanted an equal world and fought against evil nobles! But as I said before, this good guy couldn't think of a temporary truce and lost because he is a brain-dead imbecile. How should I look at it with a serious face?

The cherry on top is his execution. Flayed and salted doesn't sound so bad, but it is followed by castration... C'mon dude! The contrast is so striking here that I don't know what to say.

I'm sorry for being so rude, but it was my honest feedback as a reader. If you want different feedback or some helpful criticism, you can look at other free feedback threads. The ones made by Anon2021, doravg, and whitesculptor.
Thank you for the feedback and I appreciate the time you spent reading and providing criticism ^_^

In any case I would address the problems that you have took notice during the early phases of writing the story.

First of all, your 'killer feature.' Clicking on the previous chapter instead of the next chapter is a minor inconvenience at max. When I saw your story for the first time, I thought it was weird, and then I forgot about it after a couple of hours passed. I've only remembered this feature when I looked at your novel again to read it for feedback.

For one, this problem was on me. I didn't realize that the structure of the table of context was ordered to have new ones on top rather on the bottom as most novel sites have it structured to have the new below the old chapters; I have already fixed the problem, so thank you for telling me.

Let's start with the fact that the space between your paragraphs is unnecessarily large. The way you group sentences into paragraphs is also weird.

Secondly, the spacing of the paragraphs being 1.15 seemed too compact during the drafting of the story, which makes it harder to read and follow the story (based on the earlier versions); as such I added an extra space in order for the readers to have a sort of "break" in between paragraphs.

Thirdly, I would be going through each phrase that you have cited;

The noble was angry, he didn't like that the upper class were busy increasing their own power and doing nothing to help rebuild for the betterment of the people. Rebuild what?

This phrase doesn't necessarily require much information as the entire prologue was the summarization of events after the war. By context, the "rebuild" was in context of repairing loss infrastructure, settlements, and other structures that have been destroyed or damaged during the war.


He gave his first forgiveness to the King when he wasn't honored as much as the other nobles and favored those that were deemed his enemies. Weirdly phrased.

I agree that it is weirdly phrased, but it is weirdly phrased as such as I was translating the story to Japanese at this time to a Japanese site (syosetsu). In order for the English text to be translated in a way that it could be understood, I written it in this way as it translated into a more understood sentence.


Furthermore, as years progressed his soldiers would desert his march and end up marauding and harassing both the people of the lands and the general's army. Desert his march?

By the meaning "desert his march", it means to abandon the army. This phrase is used synonymous to "desert his army" as "march" and "army" were once synonymous to each other since when thinking of a "march" one would think of a large group or an army in this context.

Despite the treatment he didn't resent, but when the King rewarded nobles that didn't deserve it, he began to feel resentment. Weirdly phrased

Again, this is due to the time I was translating the story to Japanese.

I was never a faithful person, but coming back to life makes me rethink my own beliefs. I understand what you wanted to say. "I was never a strong believer." I'm not sure about others, but when I hear that someone was never a faithful person, I think that person has cheated on his partner(s) a lot.

By context, one would already think of either an ideology or religion, as faithful inherently means "to be religious" or "loyal". Despite this, you are right that he was never a faithful man, but I didn't write much of his romantic life as the prologue was the summarization of events after the war.

Fourthly, I do agree in the typos as I would often mistaken a word to a similar sounding word and mix their meaning such as the one you mentioned; sunders rather than cinders.

You also don't add enough details and descriptions. The text is very barebones, and there is almost nothing besides the descriptions of actions. MC did that; he proceeded to do that, then those people did that in return.

This is because the prologue is a rapid fast summarization of the events prior to his reincarnation. The readers do not need to know what meals he eats, how large his castle or manor is, how large his armies were, or the tactics he had employed during his battles.

They simply need to know a brief explanation of the things the MC did before he was reincarnated. While, yes, I can write a proper explanation of tactics used and description of each battle, but that would prolong a prologue; which, in writing, shouldn't be done as it would be too overly explained.

Why is it messy? Well, let's look at two paragraphs from your prologue.

Hearing of this, a [Patriarch] from a city-state made contact with the hero. He offered the noble to join his side, to join the Republics.

"Look! How the mighty have fallen. Where was once your charm o solar general? Where was once your mocking tone?" Yelled a man that the general recognize as one of the honored "heroes" that "fought" by his side.

Noticed something? You call the MC a general, and there is an old general. Then you call MC a noble, and there are a lot of other nobles. Then you call MC a hero, and there is another 'hero' who makes an appearance. How am I supposed to keep in my mind who is who and not confuse anything?

Why it's illogical?

I've written it as such as I was writing it in a way to not reveal identities. While, yes, I can write down the name of each character, however, this is a story of his reincarnation and not of his past. By context clues, the readers or audience should know who is who and who is speaking by either the voice they have imagined or on phrasing.

Furthermore, the MC was a noble who was raised to be a general that was praised by the public as a hero. While confusing, I have written the phrases in a way that the readers should be able to understand based on context.

For my safety, she quarantined herself.

"Anyways, can you go and feed your mother?"
He poured stew into a wooden bowl and handed it to me.
??????????

This is structured as dialogue before action. In which I have written due to me writing it as a Japanese novel and in Japanese novels I have read, dialogues are not sentenced similarly like in the west by which the character is said to have spoken before the action they took.

Western example: "But, sir, how could we win this fight?" says the squire as he unsheathes his sword from his belt, feeling unease.

Japanese example:

"But, sir, how could we win this fight?" (「しかし、どうすればこの戦いに勝つことができるでしょうか?」)

The squire unsheathes his sword from his belt, unease is shown from his face. (従者は彼のベルトから彼の剣を外し、彼の顔から不安が示されます。)

I don't even want to say how a young hero, a general who apparently was responsible for winning a war, lost against... logistics...
Not a betrayal, not a cunning scheme, no. He SEIZED THE CAPITAL, and he decimated the armies. Yet somehow, after burning down their own lands and being beaten time and time again, his enemies got tons of soldiers(probably out of their butts) while he wasn't able to think of a temporary withdrawal. Truly a war genius.

Throughout history, no general of excellent stratagem has ever won without showing care of logistics. By context, the MC is fighting a war against a Alliance of various kingdoms, principalities, and empires, whereas he is siding with a coalition of city-states. The Alliance is not only larger, but they also have more resources, more people, and more land to feed their armies where as the city-states or republics are limited to what they have. Even Alexander had to care for his logistics, but the difference between Alexander and the MC is that Alexander has control over his logistics while the MC does not as that is provided by the city-states not from his own territory.

Yes, he seized a capital, but that is just the capital of the Kingdom he once served in, not the capital of the whole Alliance by which there is no official one. In modern understanding, think of Russia invading Finland but by doing so Russia is fighting the whole of NATO; even if Russia took Finland's capital and decimated Finland's army, they still need to take the capitals of the majority of NATO members that they are fighting.

By further context, I written down the MC's rebellion during the prologue similar to the 2nd Punic War in which no matter how many cities Hannibal took against Rome and no matter how many tens of thousands of soldiers Hannibal killed, Rome would always be able to match Hannibal's army and eventually defeat him throughout the years. Similar to the 2nd Punic War, the MC is fighting with an army that he was provided with by the coalition of Republics against the entirety of the Alliance

To add more into this, even if the MC wanted a truce would the Alliance accept it? The MC had burned down their lands, conquered their cities, butchered their armies, and humiliated their dignity. If you were a King in the Alliance and the MC sent a truce to not only you but to everyone he had fought, would you accept it after being humiliated in battle, and if you were the only one to accept; everyone would question your authority and dignity.

Furthermore, in order to carry momentum and take advantage of his victories the MC has no other choice but to keep fighting in order to capitalize the lead he has. Remember, he is fighting a larger alliance than the republics, if he were to give them time by withdrawing and rebuild his army the Alliance would also be able to rebuild theirs and form a much larger army than his. No matter how much of a genius he is, if he has an army of 10,000 versus 150,000 than he would be defeated by attrition alone especially if both armies are equally disciplined, equally motivated, and equally equipped no matter how much time he is given he would never be able to match the Alliance in terms of numbers.

Sorry if I went on a tangent on this one, I adore military science and history and have to explain why I have written it as such.

Why it's cringe? All the problems I mentioned make the story very childish, yet you try hard to invoke feelings in me. Oh, he was so good! He wanted an equal world and fought against evil nobles! But as I said before, this good guy couldn't think of a temporary truce and lost because he is a brain-dead imbecile. How should I look at it with a serious face?

The cherry on top is his execution. Flayed and salted doesn't sound so bad, but it is followed by castration... C'mon dude! The contrast is so striking here that I don't know what to say.

Honestly, I haven't written the story in order to invoke emotion upon the reader; I write the story in order to show a story regardless on how the readers feel. The story is a drama and as such there will be times where I write that seems emotional, but I could care less about that for as long as it advances the narrative.

Again, my explanation of why he didn't strike a truce is above this one.

In terms of how he died, the castration is just a cherry on top to further humiliate him as he is hated by the Alliance so much due to massive damages he had caused against them. I have read examples of medieval executions, and I could have written down more grotesque ways he could die and be tortured before his death, but this one is the one I have written as it was the least inhumane one I have thought of.

In any case, thank you for providing feedback and I appreciate it (●'◡'●)
 

SailusGebel

Well-known member
Joined
Mar 7, 2020
Messages
9,423
Points
233
Secondly, the spacing of the paragraphs being 1.15 seemed too compact during the drafting of the story, which makes it harder to read and follow the story (based on the earlier versions); as such I added an extra space in order for the readers to have a sort of "break" in between paragraphs.
But your paragraphs are one sentence long. Instead of 'too compact,' you get unnecessarily loose, large, whatever word you want to use. From one extreme you didn't like, you went to the other extreme that I, a reader, don't like.

And I mention it in combination with how you group your sentences. On its own, an extra space in order for the readers to have a sort of "break" in between paragraphs is not THAT bad. BUT, considering how almost every paragraph is one sentence long, it becomes hard to read. My eyes wandered all over the text as I was reading.
This phrase doesn't necessarily require much information as the entire prologue was the summarization of events after the war. By context, the "rebuild" was in context of repairing loss infrastructure, settlements, and other structures that have been destroyed or damaged during the war.
You seem to misunderstand something. With bold, I highlighted a weird part that is phrased(worded) poorly. It doesn't matter what the context is if no one uses such a phrase. To me, it looks like a poor machine translation, a google translate. I can try to guess the meaning behind it, but I use the extra time to do it. It ruins my pacing as I read and ruins my immersion.
I agree that it is weirdly phrased, but it is weirdly phrased as such as I was translating the story to Japanese at this time to a Japanese site (syosetsu). In order for the English text to be translated in a way that it could be understood, I written it in this way as it translated into a more understood sentence.
Why should I care? I'm not an author who understands you or cares for your commitments. I'm a reader who reads in English. Why should I care if you translate or not? I only care about the English version. If I don't like the quality, I won't give a damn whether there is any reason behind it. I will simply drop the story.
By the meaning "desert his march", it means to abandon the army. This phrase is used synonymous to "desert his army" as "march" and "army" were once synonymous to each other since when thinking of a "march" one would think of a large group or an army in this context.
I understand that it means to desert an army. I don't understand why you use a phrase that I haven't seen being used anywhere. I'm not even sure if it exists. Again, it's like a poor machine translation.
Again, this is due to the time I was translating the story to Japanese.
Again, why should I care?
By context, one would already think of either an ideology or religion, as faithful inherently means "to be religious" or "loyal". Despite this, you are right that he was never a faithful man, but I didn't write much of his romantic life as the prologue was the summarization of events after the war.
Once again, it's a machine-translated phrase. It doesn't matter what the context is if people never use it in the said context. I have never seen it being used like that. And it creates a dissonance when I read it. I literally stop in the middle of my reading to understand it. Just because faithful has a synonymous meaning doesn't mean you can use it.

And again, you misunderstand something. The few sentences that I found weird are EXAMPLES. Your whole text is riddled with poorly worded phrases and grammar mistakes. I CAN'T understand what was intended and what is a mistake when I was reading. That's why when you say, "oh, this should be understandable from the context," no. No, it's not. Because, multiple times, I've read weird phrases before. How should I know that you use the word faithful in the context of having strong faith and not in the context of being faithful to a romantic partner? How can I be sure that this wasn't a mistake when you've made mistakes multiple times before?
This is because the prologue is a rapid fast summarization of the events prior to his reincarnation. The readers do not need to know what meals he eats, how large his castle or manor is, how large his armies were, or the tactics he had employed during his battles.

They simply need to know a brief explanation of the things the MC did before he was reincarnated. While, yes, I can write a proper explanation of tactics used and description of each battle, but that would prolong a prologue; which, in writing, shouldn't be done as it would be too overly explained.
First of all, I've read past the prologue. Secondly, you misunderstood what I wanted to say again. I'm not sure if I use this word correctly, but I want prose. You offer to write yet another description of actions. I don't know how to explain this, as I don't know the necessary words. Your prologue doesn't feel like a story. I felt like I was reading a report or an account. And it's not only a prologue, as your first chapter is the same. I felt like I was reading an account rather than a story.
While confusing, I have written the phrases in a way that the readers should be able to understand based on context.
For me, you didn't. It's simply confusing even with the context.
This is structured as dialogue before action. In which I have written due to me writing it as a Japanese novel and in Japanese novels I have read, dialogues are not sentenced similarly like in the west by which the character is said to have spoken before the action they took.

Western example: "But, sir, how could we win this fight?" says the squire as he unsheathes his sword from his belt, feeling unease.

Japanese example:

"But, sir, how could we win this fight?" (「しかし、どうすればこの戦いに勝つことができるでしょうか?」)

The squire unsheathes his sword from his belt, unease is shown from his face. (従者は彼のベルトから彼の剣を外し、彼の顔から不安が示されます。)
Again, you misunderstood what I mean, but this time it was a mistake on your side. Not only do you ignore the phrase, "Why it's illogical?" you don't remember nor check your own story.

This Comes before in text: "Anyways, can you go and feed your mother?"
He poured stew into a wooden bowl and handed it to me.
??????????
There was something in the middle.
This comes after in text: For my safety, she quarantined herself.

Before talking about the actual problem that flew over your head, I will mention the following. I don't care about Japanese dialogues and whatnot. I am a reader, and I read a novel in English. I don't give a shit about how it sounds or looks in Japanese.

Now to the actual problem. The mc is five years old. His mother is ill with a highly contagious disease and QUARANTINED herself FOR HIS SAFETY. What does a father do to his five-year-old son? He asks his son to bring food to his mother. Do you even know what quarantine means?

It's fucking illogical no matter how you spin it. If you say that the father didn't know what quarantine is, how did MC's mother know what it is? If you say MC insisted on it, why didn't his mother oppose him more about this? She only said to him that he shouldn't wipe her, but other than that, she was happy despite him violating the quarantine. Also, how could MC insist on it if you say he can't talk to adults like an adult? How is this logical?

You might argue with me back and forth and find a plausible excuse. But do you know what is the main problem? That this excuse will only exist in this thread. Because your text, your story doesn't have ANY explanation on how an apparently caring mother is okay with her son violating the quarantine.
Sorry if I went on a tangent on this one, I adore military science and history and have to explain why I have written it as such.
You adore it, but the things you wrote HERE, in this reply, don't correspond with what you've written in the text, your story. And I would call at least half of what you wrote(both here and in your story) an asspull. And I won't lie or pretend to be okay. You managed to make me rage with those asspulls you wrote here.
Throughout history, no general of excellent stratagem has ever won without showing care of logistics. By context, the MC is fighting a war against a Alliance of various kingdoms, principalities, and empires, whereas he is siding with a coalition of city-states. The Alliance is not only larger, but they also have more resources, more people, and more land to feed their armies where as the city-states or republics are limited to what they have. Even Alexander had to care for his logistics, but the difference between Alexander and the MC is that Alexander has control over his logistics while the MC does not as that is provided by the city-states not from his own territory.
First. "Those against them were specifically from the various Republic city-states that hated the authority of monarchs. However, they were weak, all they had was wealth and without an army to project

Here we can see how those city-states can provide adequate logistics.

Second. How the fuck a general doesn't control his own logistic? Logistic isn't some magical animal. It's basically long caravans that are asked for and getting approved by higher-ups. By saying he doesn't control his own logistics is like saying that he doesn't have a right to ask for things, that people in city-states don't send anything to him, and that some people tamper with the papers. But guess what? You never mention it in the story! Is there a mention of political movements behind the scene to make him fail and stop the logistics? Is there a mention of how spies set those caravans on fire? Is there a mention where you say that HE DIDN'T FUCKING CONTROL HIS OWN LOGISTICS? HOW THE FUCK AM I SUPPOSED TO KNOW THIS? You fucking didn't mention it even once!!!!!!!!!!!!

but the winds were not in his favor and his defeat would be caused by the lack of logistics from the city-states. This fucking phrase doesn't explain fucking anything!!!!!!!!!!!!!!!!!!!!

Thirdly, you will say that you did mention the city-states didn't have an army. And the army is part of logistics. Well, guess what? You didn't mention that there are ONLY city-states and Alliance and nothing else. SO, they COULD hire mercenaries from a third party.

Fourthly. Did his territory evaporate or what? What the fuck happened to it? Once again. IN the FUCKING story. In reply, you say he gets logistics not from his territory but from city-states. Fucking why? Why didn't you explain it in the story if it's crucial to understand why his logistic failed him?

Fifthly. With this first major victory, many believed that the war would conclude in the victory of the city-states, but oh the misery as they had misjudged. Why the fuck did many believed that MC could win, if you say in your reply to me that Alliance has more resources?
Yes, he seized a capital, but that is just the capital of the Kingdom he once served in, not the capital of the whole Alliance by which there is no official one. In modern understanding, think of Russia invading Finland but by doing so Russia is fighting the whole of NATO; even if Russia took Finland's capital and decimated Finland's army, they still need to take the capitals of the majority of NATO members that they are fighting.
This is actually a nice reply from you. You said that everything is understandable from the context to readers. I didn't understand that Alliance is an actual alliance of kingdoms, empires, and so on. I thought it was a fancy name for a single kingdom.
By further context, I written down the MC's rebellion during the prologue similar to the 2nd Punic War in which no matter how many cities Hannibal took against Rome and no matter how many tens of thousands of soldiers Hannibal killed, Rome would always be able to match Hannibal's army and eventually defeat him throughout the years. Similar to the 2nd Punic War, the MC is fighting with an army that he was provided with by the coalition of Republics against the entirety of the Alliance
Cool... Do you know how many people know about the punic war and find it logical? And how many people would actually think of the said punic war when reading your story?
To add more into this, even if the MC wanted a truce would the Alliance accept it? The MC had burned down their lands, conquered their cities, butchered their armies, and humiliated their dignity. If you were a King in the Alliance and the MC sent a truce to not only you but to everyone he had fought, would you accept it after being humiliated in battle, and if you were the only one to accept; everyone would question your authority and dignity.
Who the fuck asks for their opinion? You simply retreat and reinforce the defense line while your logistics get sorted out. By truce, I meant that he could've retreated instead of pushing forward when it's hurting him. Taking a brief respite would've been a more proper term.

To any asspull that you will mention.

MC knows EVERYTHING about the army and generals because he fucking led the army of the Alliance for seven years.

He clearly excels in siege warfare. To the surprise and astonishment of the [Alliance], the siege ended in just a month. Which means he can defend crucial castles and forts.

Especially when the King favored the upper class rather than the common people that have actual achievement that deserve more prestige and rewards. Everyone who actually knows how to lead armies would either defect or be killed because they are commoners, and they aren't favored. A large army without a proper chain of command is useless, especially in the sieges.

Alliance's armies would take much more time to get ready to attack him in return because their armies are larger. No matter how good their logistics are, they will be slower.

Not only that, but the Alliance's armies are going to march through burnt-out land while trying to reach the land of city-states.

And you know what? It doesn't matter if you prove me wrong here. Because you didn't mention it anywhere in the text.
Furthermore, in order to carry momentum and take advantage of his victories the MC has no other choice but to keep fighting in order to capitalize the lead he has. Remember, he is fighting a larger alliance than the republics, if he were to give them time by withdrawing and rebuild his army the Alliance would also be able to rebuild theirs and form a much larger army than his. No matter how much of a genius he is, if he has an army of 10,000 versus 150,000 than he would be defeated by attrition alone especially if both armies are equally disciplined, equally motivated, and equally equipped no matter how much time he is given he would never be able to match the Alliance in terms of numbers.
He doesn't need to seize the momentum if it would lead to everyone's demise. He needs to secure the logistics and his rear.
[Alliance] adapted a strategic policy of avoiding battle with him and prioritized besieging the city-states.
You see this here? It means he is a retard.
It means that not only did Alliance bypass him, which you didn't explain how. Instead of retreating back to secure his rear, he decides to basically kill his army and himself without a sliver of hope. Wow, what a good general. I'm probably too stupid to understand his brilliance.

You might once again explain whatever you want. Write me walls of text about how I don't understand this or that. Explain how this or that happened. But it doesn't matter. Because it's not in the story.

After writing such a lengthy reply, I will try to be concise here. I'm not an author who reviewed your work. I'm a reader. I don't care what you had in your head. I read what I get. Even if the story inside your head is logical and entertaining, what I got in the form of a written story is shit. The only way to get a FULL picture is through reading. Because I DON'T have access to your mind and your thoughts. That's why ALL of the things I mentioned, IN COMBINATION(!!!), doesn't make ANY sense to me. It means that on their own, they might not be as bad. But when you combine ALL OF THAT INTO ONE CHAPTER, it turns to shit. It's not about ONE EXAMPLE being bad. ALL OF IT, TOGETHER!!! Together, do you understand this? Why the fuck, do I even need to explain this. I want to scream.
I have read examples of medieval executions, and I could have written down more grotesque ways he could die and be tortured before his death, but this one is the one I have written as it was the least inhumane one I have thought of.
The MC had burned down their lands, conquered their cities, butchered their armies, and humiliated their dignity.
I have read examples of medieval executions, and I could have written down more grotesque ways he could die and be tortured before his death, but this one is the one I have written as it was the least inhumane one I have thought of.
The MC had burned down their lands, conquered their cities, butchered their armies, and humiliated their dignity.
:blob_facepalm:
 

SailusGebel

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Messages
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A cutesy rom-com/mystery novel set in a fantasy world. It's about 70k words at the moment. Aside from the first chapter that's quite long. The rest of the chapters are about 2k-3k words.
Good day to you. Before I start with the feedback, I would mention that English is my second language. I stopped reading after finishing chapter Lust (1). There isn't much that I might say after reading so little. But I have no intentions of reading more because I'm not interested in this story.

Your writing is good, and I didn't notice a lot of 'stumbling.' But although it's good, I don't like it. Your writing doesn't suit my taste. For example, I don't like how often you switch POVs.

There are some minor logical mistakes. Like Eden doesn't know what sex is, but knows about obscene language.
“ARGH! That white-haired !#$%.”
Don’t call him that... Brother Altarin might be a low-key pervert but he’s very kind.


Or how exactly Ruby found out that Eden is a boy. They had sex, ok. But why isn't she commenting on how she was surprised or something like that?
It's minor stuff, but in the absence of anything better, I can only mention this.

I also thought that you tried to make a non web novel into a web novel. I'm not sure if it's because the first chapter was so long, yet I have this feeling that you wanted to write a 'proper' book. But there are reasons, so you decided to self-publish on the internet and make it into a web novel. When you try to squeeze yourself into a word limit, I feel like the quality has dropped. But at the same time, I don't want to read a 'proper' book. I want to read a web novel.

I won't rate your story. It's probably high-quality, but not for me. And I think feedback threads by Anon2021, doravg, and whitesculptor will help you much more than I did. So check them out.

I will try to give feedback on your second story tomorrow.
 

SailusGebel

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Messages
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A high-concept sci-fi/fantasy mystery/comedy/thing. It's about 90k words. Chapter length varies a lot. I tried to write about 2k-3k each chapter but sometimes a scene just feels weird to split so I end up combining multiple chapters into one.

Because of how bad I was when I started, (barely knew English), the early chapters stumbled a lot, but I think the stories eventually found their strides about halfway through.

But because the starts were so bad, no one really gets to the later parts, so I can't figure out if all the later chapters that I was quite proud of writing because I put a lot of thought into them were also terrible or not.

I never had any story feedback from someone who can stomach the whole thing, basically. So if you want to be the first, I'd appreciate it.
Good day to you. Before I start with the feedback, I would mention that English is my second language. And after finishing the prologue, I couldn't force myself to finish chapter 1.

Maybe it's a misconception on my side, but I feel The Conceptors is worse than Eden in terms of the quality of your writing. At least I liked it even less. For example, I found your paragraphing weird. The way you write sentences is also weirder. There were also more mistakes, but the thing is, I don't understand if it was something intended or really a mistake.

Examples.
My mind is racing with all the complicated thoughts, it’s too sudden to be told to die without giving many contexts. if it really is that important, maybe it’s fine to just give up my life here and now. This is an obvious mistake.

Something like becoming adventurers, and traveling among worlds, and fighting various evils to save the universe.
Something like becoming an adventurer? I don't know if it's intended of if I'm wrong, but I find it weird.

“Not just the future, but the past, the present, and possible future as well.” This doesn't make any sense to me. Is it a mistake? Is it not?

But even with everything I noticed and my preferences in writing, your book still doesn't stumble a lot. The quality is much higher than most web and light novels I've reviewed here.

And this is where I will give my brutally honest reader's opinion here. It's not because of stumbling that people can't stomach reading your story to the end. It's because your story is boring and uninteresting.

The feeling that you tried to make a non web novel into a web novel was evens stronger here. And this, "Average Words:4,951," doesn't help me at getting rid of this feeling. But let me tell you something. When I go to read web novels, I won't read complete garbage, but I do want to read a b-tier novel. It's like sometimes people crave to watch a b movie.

And I assume that there are a lot of people like me. I'm not claiming it to be the one and only truth. BUT, something tells me that, for example, when people go to this site from NovelUpdates that hosts a lot of web and light novels, they probably want to read more web and light novels.

Here's some reasons why I don't want to read your book. One of the reasons why I don't want to read any further is because you are not a professional. I mean, you probably don't have a professional editor, right? What does it mean to me as a reader? It means that I don't have a single clue if what I read has a mistake or not. And I showed you examples of 'mistakes' I found. Are they really mistakes? I don't know.

Another reason is you have comedy in tags, but I haven't smiled even once.

A third reason, reading the synopsis, tags, and your prologue, it's just not my cup of tea.

I also don't like the way you write.

I don't know. Maybe I misunderstand something, so feel free to correct me and talk to me, but I doubt I will be able to help you in any way. If you want something helpful, go to the threads made by doravg, and whitesculptor. Maybe you can look at greyblob's thread. Also, TheTrinary has two threads. One is a Free First Chapter Feedback thread, and another is where he looks for stories to review for his youtube channel. I don't know if he still does it, so check them out.

And I previously mentioned Anon2021's thread. Forget about it. He refuses to help people from my thread.

Sorry, but there is nothing else I can help you with.
 

Ehao_Truth

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Feb 2, 2019
Messages
16
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43
Good day to you. Before I start with the feedback, I would mention that English is my second language. And after finishing the prologue, I couldn't force myself to finish chapter 1.

Maybe it's a misconception on my side, but I feel The Conceptors is worse than Eden in terms of the quality of your writing. At least I liked it even less. For example, I found your paragraphing weird. The way you write sentences is also weirder. There were also more mistakes, but the thing is, I don't understand if it was something intended or really a mistake.

Examples.
My mind is racing with all the complicated thoughts, it’s too sudden to be told to die without giving many contexts. if it really is that important, maybe it’s fine to just give up my life here and now. This is an obvious mistake.

Something like becoming adventurers, and traveling among worlds, and fighting various evils to save the universe.
Something like becoming an adventurer? I don't know if it's intended of if I'm wrong, but I find it weird.

“Not just the future, but the past, the present, and possible future as well.” This doesn't make any sense to me. Is it a mistake? Is it not?

But even with everything I noticed and my preferences in writing, your book still doesn't stumble a lot. The quality is much higher than most web and light novels I've reviewed here.

And this is where I will give my brutally honest reader's opinion here. It's not because of stumbling that people can't stomach reading your story to the end. It's because your story is boring and uninteresting.

The feeling that you tried to make a non web novel into a web novel was evens stronger here. And this, "Average Words:4,951," doesn't help me at getting rid of this feeling. But let me tell you something. When I go to read web novels, I won't read complete garbage, but I do want to read a b-tier novel. It's like sometimes people crave to watch a b movie.

And I assume that there are a lot of people like me. I'm not claiming it to be the one and only truth. BUT, something tells me that, for example, when people go to this site from NovelUpdates that hosts a lot of web and light novels, they probably want to read more web and light novels.

Here's some reasons why I don't want to read your book. One of the reasons why I don't want to read any further is because you are not a professional. I mean, you probably don't have a professional editor, right? What does it mean to me as a reader? It means that I don't have a single clue if what I read has a mistake or not. And I showed you examples of 'mistakes' I found. Are they really mistakes? I don't know.

Another reason is you have comedy in tags, but I haven't smiled even once.

A third reason, reading the synopsis, tags, and your prologue, it's just not my cup of tea.

I also don't like the way you write.

I don't know. Maybe I misunderstand something, so feel free to correct me and talk to me, but I doubt I will be able to help you in any way. If you want something helpful, go to the threads made by doravg, and whitesculptor. Maybe you can look at greyblob's thread. Also, TheTrinary has two threads. One is a Free First Chapter Feedback thread, and another is where he looks for stories to review for his youtube channel. I don't know if he still does it, so check them out.

And I previously mentioned Anon2021's thread. Forget about it. He refuses to help people from my thread.

Sorry, but there is nothing else I can help you with.
Thank you, I've been waiting for this for a long time. Let me take some time to write up a proper reply.
Since I wrote this yesterday, and only am posting this now. It might sound a little weird but please bear with me.

I stopped reading after finishing chapter Lust (1).
See? That's the problem I'm having right now. If you really did drop EotB at the second chapter, then that meant I failed in trying to sell you on the possibility that the story might develop into a more generally 'interesting' direction.

I tried my best to add funny/amusing moments, cool characters, cool mysteries, cool settings, cool magic system, cool puzzles, cool chase/fight scenes. I don't think any of these are that far out of a general audience's range of things they would find interesting in a story. I'm not that strange of a person, I don't think.

Yet somehow, people kept writing it off so early. Like basically saying, 'Okay, I know what this is, and I probably won't like it.' When the qualities that EotB has (and I guess TCGA too) are things I think most people would enjoy, regardless of whether or not it's written in a traditional web-novel style. Now that I'm saying that, I suddenly wonder whether or not there's actually such a thing.

Actually, now that I'm writing this, I realized that probably changing the synopsis would fix that a little but... It's hard. I feel like the tags should be enough to let people know what to expect, but there's only so much I can say except basically 'trust me'.

There are some minor logical mistakes. Like Eden doesn't know what sex is, but knows about obscene language.
“ARGH! That white-haired !#$%.”
Don’t call him that... Brother Altarin might be a low-key pervert but he’s very kind.


Or how exactly Ruby found out that Eden is a boy. They had sex, ok. But why isn't she commenting on how she was surprised or something like that?

This is also weird. I planted those lines specifically to make people go "what?" and pick up on the fact that Eden might not be as simple as he initially appeared.
That's also one more thing I left to be intentionally weird. The sudden shift in perspective, the way Eden acted after that scene, plus the fact he was explicitly described as being unable to lie or hurt anyone, yet still said "I didn't cheat on you, Athena," afterward.

—It should have ticked people off, no? Make them a little more interested in what's actually going on with these characters? How did I fail that? How did I manage to so successfully fail at hinting at what to come?

The problem is, I can't make it more obvious. Because that would ruin the gradual realization that would eventually lead to an 'I knew it' moment later on in the story. (Which is kind of the one-trick thing I'm betting on.)

Basically, this is what I mean when I said 'stumbled' —If you only read the first 4 chapters, (15k words), you'd have no idea what would happen next and whether you'd like it or not, and I'm not sure what to do about this.

"A certain [Eldritch Horror] has somehow turned itself into a very 'cute' young boy, and is now trying very hard to get his feelings across to the girl he likes.
Yet somehow, in this dream-fuelled fantasy world, his path toward that goal just keeps getting more and more nonsensical."

Something like this would definitely attract more readers and keep them around longer. But I didn't want to put that foot forward. I didn't want to make a 'popular' story that everyone would read. Rather, I wanted to give 'someone' and experience of finding a 'hidden gem' as a result of their curiosity.

—Why are the options: shout as loudly as possible until your voice breaks, or whisper so quietly nobody even noticed? Is there really not a middle ground?

Anyways, that's it for Eden of the Beginning.

Ah, one last thing. If I tell you that all the POV switches, including the third-person ones, are the results of Eden's second personality tapping into people's minds and narrating everything-- and that I will reveal that in a chapter that will be released in a few weeks, would you at least find it somewhat excusable?

------

And after finishing the prologue, I couldn't force myself to finish chapter 1.
Again, then I must have failed miserably. Unlike Eden of the Beginning, The Conceptors Grand Archive should have been a much easier sell, especially with the craziness of the premise.

Maybe it's a misconception on my side, but I feel The Conceptors is worse than Eden in terms of the quality of your writing. At least I liked it even less. For example, I found your paragraphing weird. The way you write sentences is also weirder. There were also more mistakes, but the thing is, I don't understand if it was something intended or really a mistake.

Examples.
My mind is racing with all the complicated thoughts, it’s too sudden to be told to die without giving many contexts. if it really is that important, maybe it’s fine to just give up my life here and now. This is an obvious mistake.

Something like becoming adventurers, and traveling among worlds, and fighting various evils to save the universe.
Something like becoming an adventurer? I don't know if it's intended of if I'm wrong, but I find it weird.

“Not just the future, but the past, the present, and possible future as well.” This doesn't make any sense to me. Is it a mistake? Is it not?
I agree that the writing quality of TCGA is much worse than EotB at the start, simply because it was much easier to edit the other. TCGA's beginning problems stemmed from the fact that the setup required to get the story going was way, way too complicated, just because of how much information was needed to be shoved into the reader's head just to get them to the first step.

In a span of as few words as possible, I needed to introduce Steve, Master, the Conceptors Grand Archive, the Godmaker, the Loop, the Conceptions, Master's grand plan, and somehow tie it all down to an 'emotional core'. Since the first 10 chapters were written on a week-by-week schedule, I quickly rushed to establish everything all with little to no nuance, and I just came to despise looking at them, honestly.

Something like becoming adventurers -- reads fine to me, even now.
Possible future -- should be futures.

So, yeah, that part is my lost. I will go fix them.

And this is where I will give my brutally honest reader's opinion here. It's not because of stumbling that people can't stomach reading your story to the end. It's because your story is boring and uninteresting.

The feeling that you tried to make a non web novel into a web novel was evens stronger here. And this, "Average Words:4,951," doesn't help me at getting rid of this feeling. But let me tell you something. When I go to read web novels, I won't read complete garbage, but I do want to read a b-tier novel. It's like sometimes people crave to watch a b movie.

This is what I find confusing as hell too! Really!? Boring and uninteresting!? A story about 'A Fictional Character who knows that they're fictional, trying to do everything they could to outsmart their creator, by inexplicably enlisting a completely regular failed author from 21st century Earth named Steve to help him and become... his best friend?' -- How is that just not interesting at all?

Seriously, schemes upon schemes, crazy magic, twists, deep world-building, a very crazy Sherlock Holmes and doctor-Watson-style dynamic as the Protagonist and Antagonist sit in a room and discuss how the story should end.

Are all of that really boring and uninteresting to other people? Is there really a much better take on this concept than what I'm trying to do?

Just for even coming up with that premise, my novel should at least be an A-tier. (Just kidding, I know that's not how it works.)

Also, what you said about me trying to turn a proper book into a web novel... I don't know, maybe. I only ever read web novels and most of my influences are Chinese ones. So to me at least, this is how web novels look. How I write is how they write -- literally, I've lifted entire paragraphs from a few of my favorites.

Another reason is you have comedy in tags, but I haven't smiled even once.
Okay, this one I'm offended by. Offended. Some of these lines are bangers!

[TCGA-07]:
Are we really discussing french fries in another world? Wait, [Discussing French Fries In Another World] could be the name of a novel… not. To be honest I think that deserves the title of the dumbest thing I’ve ever heard and I was the one who thought of it.
“—When you combine them you get… french… chips?”
“French chips~! Friendships~! The sticks of friendships~!”
“...”
Well, that title was easily topped.

-----
[TCGA-14]:
“Back then... was I wrong?”
“—Yes.”
“...”
...That’s quick.
“Oh, was that not what you wanted to hear? Then no, you were right. Congratulations.”
“...So I’m wrong and right and neither?”
“Welcome to the world of the Living Paradox.”
I furrow my brows and stare at Master. The white-haired man swings his leg back and forth on [The Astral Projector] and smiles, showing an attitude that is in such contrast with my current mood I can’t describe it as anything but baffling.
I take a second to massage my temple before continuing to talk to him.
“Isn’t this place supposed to have the answers to every question?”
“Of course. Every answer to every question. Doesn’t mean it can choose for you what the right one is.”
—Then what was the point of all that?

-----
[TCGA-16]:
—All the pieces are already in place, albeit unintentionally, and now we have ourselves an easy one-move checkmate.
“Killing all the birds with one stone! What do you think about that, Master?”
“I wonder if it would really be that simple...”
Master who’s now standing on the rooftop of a nearby building says while looking up at the sky.
“Steve, do you remember the [False Entropy] thing I talked about earlier?”
“That thing about how entropy increases the same way every time?”
I answer without tearing my eyes from the Scry boy.
“Um-hm. I know it’s kind of hard to conceptualize but...”
Master’s head moves across the sky, seeming to also be tracking the movement of something.
Then, I see a glint, something shining in the cloud. And before my mind could even figure out what it is, the broken blade from earlier falls out of the sky and pierces the side of the Scry boy’s head as he’s leaping off of a building to another one. The Scry boy tumbles down and violently crash-land on one of the food stall’s roofs.
Young children scream. Then old children scream. Then everyone screams.
At the face of all that, Master reveals a subtle grin.
“In practice, it means that something like this tends to happen a lot.”
“...”
[Kyrias——0%——Divergence.]

-----
Here are some of my favorite lines from EotB.
[Lust (6)]
For a split second, time itself seemed to slow down as the blade was thrust toward Eden’s neck. Immediately, Vena sprung into action. With a single forceful kick, not only was she able to redirect the blade’s trajectory, but also shatter it completely into metallic bits with the pressure of her black boot.
Then without any evocation of any kind. Frost instantly covered the broken handle of the blade and spread like corruption up to its wielder’s arm. It was fast and unstoppable, taking merely a millisecond to freeze his entire body and even his clothes, turning them crystalized blue. And with a roundhouse kick right to the head—the mysterious cloaked person's entire body also shattered into glittering shards of snowflakes.
Intercepted, disarmed, and executed.
For the first time, Vena revealed her true nature as a remorseless killing machine. There was nothing reflecting in her cold gaze, any hint of sympathy, compassion, or mercy had been traded off for calculated efficiency and fetal precision. Her technique was swift, elegant, deadly, and—
“Keeeevvvviiiiiinnnnnn~~~! Nooooooo~~!”
...One of the nearby cloaked figures cries out. They rushed forward and desperately tried to catch the fragments of ice that flew into the air. And falling onto their knees when they realized it was hopeless.
“He was my best friend!”
“...” Ruby.
“...” Altarin.
“...” Vena, with her foot still in the air.
“We went to high school together!” the cloaked figure continued to weep miserably. “He even has a family!”
Looking at that pitiful state, Eden couldn’t help but feel a little sorry for the cloaked person.
“Big sister Vena maybe… you should apologize?”
“Eh?!”

-----
[Lust (7)]
“Oh sorry, I didn’t know the barrages of missiles earlier were warning shots—!” Altarin couldn’t resist shouting back despite the seemingly dire circumstance.
“Brother Altarin… what should we do?” Eden, who was standing beside him, asked.
Laughing a little at the tension he hadn’t felt for a really long time, Altarin replied, “I don’t know, Eden. Try acting cute?”
“Acting cute...?” Eden tilted his head, before looking down and biting his thumb like he was seriously contemplating it.
“No no no, I was joking!” Altarin hurriedly tried to un-said his words, but he was too late. The deed was done, the ball had already started rolling down the hill, and Eden already had—an idea.
Eden fearlessly jumped onto the rooftop’s railing, and took off his hat, releasing his long golden hair that glowed with an aura of peerless beauty to dance gracefully in the wind.
...and twirled.
“Magical Catgirl Eden, transform! Let your evil hearts be purified by the radiance light~!” Eden put up his hands in front him, and winked. “Meow~✰!”
.....
And after a couple of seconds of silence
[Mmmmmmmmmmeeeeeeeeeeeeeeeeeeeeeeeeeeeoooooooooooooooooooooooowwwwwwwwwwwwwwwwwwwwwwwwwww—!?]
With the screams, it became clear that the effect of Eden’s moe power—was devastating!

-----
I could keep going. "So far there have been no sweets given so these people are definitely good." """We're going there.../Don't give up so easily damn it!""" "Are you people thinking of settling in here for the rest of your life already?" "Why did it take her so long to realize that we don't actually care about the cloak at all." "Pffft~ W-what was that?" "Why does that work? I'm sorry! Please calm down!"

My stories might not be downright comedies, but I write almost all of my characters with a sense of humor, and they love to laugh. So I think that justifies the tag a little bit.

I also don't like the way you write.

I don't know. Maybe I misunderstand something, so feel free to correct me and talk to me, but I doubt I will be able to help you in any way. If you want something helpful, go to the threads made by doravg, and whitesculptor. Maybe you can look at greyblob's thread. Also, TheTrinary has two threads. One is a Free First Chapter Feedback thread, and another is where he looks for stories to review for his youtube channel. I don't know if he still does it, so check them out.

This is fine. I don't know who you are, and I don't know what you like. (for all I know you could be some 50-year-old grandma). So of course, the chance of my style of writing not being suited to your taste was obviously very high from the beginning. I still find that there are merits to my style though -- the rhythm and snappiness of dialogues and action beats in particular -- so I'm going to keep refining it.

Basically, I can only write what I like. And I like what I write. So that's how it is.

Pheeew~~!

Finally, I got my first feedback. Thank you again for reading, this and my stories. You weren't very helpful but at least I got a few ideas from this interaction regardless.

When I started writing Eden of the Beginning and Conceptors Grand Archive, I knew that by not letting most of the interesting stuff be put upfront, almost everyone except for the truly curious would bounce off. But those who caught the hints would stay.

I expected to have at least 100 out of 1000 people, at least around 10%. But in reality, I only have about 3 real concurrent readers at the moment. (And only one guy ever leaves a comment, bless them, whoever they are.)

It makes me feel like I'm creating these elaborate stories just to tell them to a brick wall. I learned how to draw for these stories, I learned music production and how to sing just to make a theme song for EotB -- makes me question why I even bother publishing them in the first place. Probably because making art is fun.... probably.

And if some people also find what I wrote to be 'fun' and tell me that, I'd probably be a little happy.

I don't think there's any more thing that needs to be said. So I'll end it for now.

Good day to you.
 
Last edited:

SailusGebel

Well-known member
Joined
Mar 7, 2020
Messages
9,423
Points
233
See? That's the problem I'm having right now. If you really did drop EotB at the second chapter, then that meant I failed in trying to sell you on the possibility that the story might develop into a more generally 'interesting' direction.
I will make this clear. I wouldn't give your novel a chance if not for this thread. Cause it's not my cup of tea. It means you can't sell something to me if I'm not interested in it.
I tried my best to add funny/amusing moments, cool characters, cool mysteries, cool settings, cool magic system, cool puzzles, cool chase/fight scenes. I don't think any of these are that far out of a general audience's range of things they would find interesting in a story. I'm not that strange of a person, I don't think.
I didn't find a single thing you mention here. I was simply not interested. It wasn't funny, there were no cool characters, no cool mystery, no cool setting, no cool chase scenes, and no cool puzzles. I didn't see any of it. And it's not about you being strange. It's about you having a different taste. You find it cool, great, mysterious, and so on, but I didn't.

Another thing. Everyone jokes that SH's general audience likes smut and Girls Love, which actually isn't 100% false or true, but let's think of it as a truth for now. Did your story have smut? No. Did your story have GL? No. And then you say your story is NOT outside of the general audience's range. C'mon.
Yet somehow, people kept writing it off so early. Like basically saying, 'Okay, I know what this is, and I probably won't like it.' When the qualities that EotB has (and I guess TCGA too) are things I think most people would enjoy, regardless of whether or not it's written in a traditional web-novel style. Now that I'm saying that, I suddenly wonder whether or not there's actually such a thing.
If I said about anyone else besides me, excuse me. Sometimes I mess up when I write. I meant that it differs and matters a lot to me. I see a clear division in style between, for example, The Stainless Steel Rat and Magika no Kenshi to Shoukan Maou. It's not about plot or tropes. It's about how they are written. And because of that, I approach them differently. And I would read Steel Rat in my native language, while Magika no Kenshi to Shoukan Maou, I can easily read in English, skim through chapters, skip parts of the text, and so on.

Your story isn't like Magika no Kenshi to Shoukan Maou or some other light\web novels. It's not as easy to read, but most importantly it's not as easy to digest for me. I said it the secon feedback, but I will repeat it here. When I read light\web novels, I expect a b-tier movie. I want some mindless fun. I want to read a generic isekai, I want to read some absolutely unrealistic harem, some over-the-top cultivation novel, and so on. I don't want art, I want entertainment.
Actually, now that I'm writing this, I realized that probably changing the synopsis would fix that a little but... It's hard. I feel like the tags should be enough to let people know what to expect, but there's only so much I can say except basically 'trust me'.
Imagine if your story had a BL tag and BL in it. You are currently struggling to force me, who dislike BL, to read BL. To me, it doesn't matter what kind of synopsis you have. I look at it in combination with the tags and sometimes prologue.

Before making any changes to the synopsis or your stories, I will advise you to visit other threads I mentioned. Because I'm picky, and I try to only represent myself.

This is also weird. I planted those lines specifically to make people go "what?" and pick up on the fact that Eden might not be as simple as he initially appeared.
That's also one more thing I left to be intentionally weird. The sudden shift in perspective, the way Eden acted after that scene, plus the fact he was explicitly described as being unable to lie or hurt anyone, yet still said "I didn't cheat on you, Athena," afterward.

—It should have ticked people off, no? Make them a little more interested in what's actually going on with these characters? How did I fail that? How did I manage to so successfully fail at hinting at what to come?

The problem is, I can't make it more obvious. Because that would ruin the gradual realization that would eventually lead to an 'I knew it' moment later on in the story. (Which is kind of the one-trick thing I'm betting on.)

Basically, this is what I mean when I said 'stumbled' —If you only read the first 4 chapters, (15k words), you'd have no idea what would happen next and whether you'd like it or not, and I'm not sure what to do about this.
You might not believe me, but I did pick up on it. I did pick up that Eden isn't as simple. The thing is, I didn't do it from that line.

The problem here is something I mentioned in the second feedback. I don't understand if it's intentional or it's a mistake. And it's another problem with web novel format against a proper book. You try to do something much more serious, but it fails to impress me because you've got mistakes. Plain and simple. I can't discern between the plotholes and foreshadowing. It's either all of them are plotholes, or all of them are foreshadowing, or I should ask you. But... I don't want to ask you. I want to read a chapter before bed and go to sleep. Moreover, you can't be online all the time to answer me and satisfy my curiosity. So I'm basically will be subjected to waiting for you before understanding the whole picture.
"A certain [Eldritch Horror] has somehow turned itself into a very 'cute' young boy, and is now trying very hard to get his feelings across to the girl he likes.
Yet somehow, in this dream-fuelled fantasy world, his path toward that goal just keeps getting more and more nonsensical."

Something like this would definitely attract more readers and keep them around longer. But I didn't want to put that foot forward. I didn't want to make a 'popular' story that everyone would read. Rather, I wanted to give 'someone' and experience of finding a 'hidden gem' as a result of their curiosity.
I wouldn't read it, but I think it will appeal to others much more. Though I'm not sure, as I said, consult with others.
I didn't want to make a 'popular' story that everyone would read. Rather, I wanted to give 'someone' and experience of finding a 'hidden gem' as a result of their curiosity.

—Why are the options: shout as loudly as possible until your voice breaks, or whisper so quietly nobody even noticed? Is there really not a middle ground?
Look, If you didn't want to make a popular story, you can't complain. You should've known that unpopular stuff is UNPOPULAR.

As for the middle ground. The only middle ground I can think of is to write one popular story and one hidden gem type of story. And use the popular one to promote the other. You write one story for yourself and the other one for the audience.
Ah, one last thing. If I tell you that all the POV switches, including the third-person ones, are the results of Eden's second personality tapping into people's minds and narrating everything-- and that I will reveal that in a chapter that will be released in a few weeks, would you at least find it somewhat excusable?
I didn't find it inexcusable in the first place, I think? It's just my personal preference. I can see how others might like it, but I'm not one of them.
Again, then I must have failed miserably. Unlike Eden of the Beginning, The Conceptors Grand Archive should have been a much easier sell, especially with the craziness of the premise.
Yes. You failed to sell something I wasn't interested in after I had ascertained that there is nothing I would like. Imagine that while I dislike BL and was actually looking for a no-romance adventure LitRPG, you failed to sell me a BL, slice-of-life rom-com novel.
I agree that the writing quality of TCGA is much worse than EotB at the start, simply because it was much easier to edit the other. TCGA's beginning problems stemmed from the fact that the setup required to get the story going was way, way too complicated, just because of how much information was needed to be shoved into the reader's head just to get them to the first step.

In a span of as few words as possible, I needed to introduce Steve, Master, the Conceptors Grand Archive, the Godmaker, the Loop, the Conceptions, Master's grand plan, and somehow tie it all down to an 'emotional core'. Since the first 10 chapters were written on a week-by-week schedule, I quickly rushed to establish everything all with little to no nuance, and I just came to despise looking at them, honestly.
And I think this is what we call an info dump. And by the way, this is precisely the thing I was talking about. I must think and read attentively. Not only that, you apparently cut out some things, but it is still overly complicated to me. It's not a web novel. If it was a web novel, I could've easily skimmed through or outright skipped parts. With your story, I can't.
This is what I find confusing as hell too! Really!? Boring and uninteresting!? A story about 'A Fictional Character who knows that they're fictional, trying to do everything they could to outsmart their creator, by inexplicably enlisting a completely regular failed author from 21st century Earth named Steve to help him and become... his best friend?' -- How is that just not interesting at all?

Seriously, schemes upon schemes, crazy magic, twists, deep world-building, a very crazy Sherlock Holmes and doctor-Watson-style dynamic as the Protagonist and Antagonist sit in a room and discuss how the story should end.

Are all of that really boring and uninteresting to other people? Is there really a much better take on this concept than what I'm trying to do?
Once again, if I used words like we, they, and so on, I'm sorry for misleading you. I try to represent myself.

With that out of the way, to me, it's kinda boring? I would actually prefer reading more of the previously reviewed story, "Reincarnated as a Camera: I Will Build up a Worldly Portfolio," before I get bored of it, which would happen soon.

Perhaps if your story were a manga, I would've given it a try. As for your question, I don't know. Maybe it's you who made it boring, but I highly doubt it. From what I've read in your reply here, it's oversaturated with tropes, twists, turns, genres, depth, everything. I don't even know what would be the right word to use here, but I want something simpler.
Okay, this one I'm offended by. Offended. Some of these lines are bangers!
I haven't smiled even once.
Here are some of my favorite lines from EotB.
I did not smile, and it was the opposite. It was boring to read.
I could keep going. "So far there have been no sweets given so these people are definitely good." """We're going there.../Don't give up so easily damn it!""" "Are you people thinking of settling in here for the rest of your life already?" "Why did it take her so long to realize that we don't actually care about the cloak at all." "Pffft~ W-what was that?" "Why does that work? I'm sorry! Please calm down!"
The corners of my lips didn't move at all.
My stories might not be downright comedies, but I write almost all of my characters with a sense of humor, and they love to laugh. So I think that justifies the tag a little bit.
Yet another explanation why I don't want to read your story based on tags. I don't like stories with comedy tags because they are fucking unfunny. One more demonstration that you try to sell me a story I want to avoid. If not for the feedback thread, I won't give it a chance.

One more thing. The comedy tag means that your READERS will find your story funny. It doesn't mean that your CHARACTERS find each other funny.
When I started writing Eden of the Beginning and Conceptors Grand Archive, I knew that by not letting most of the interesting stuff be put upfront, almost everyone except for the truly curious would bounce off. But those who caught the hints would stay.

I expected to have at least 100 out of 1000 people, at least around 10%. But in reality, I only have about 3 real concurrent readers at the moment. (And only one guy ever leaves a comment, bless them, whoever they are.)

It makes me feel like I'm creating these elaborate stories just to tell them to a brick wall. I learned how to draw for these stories, I learned music production and how to sing just to make a theme song for EotB -- makes me question why I even bother publishing them in the first place. Probably because making art is fun.... probably.
Because you didn't research the market. It's kind of dumb, and you would again say that you create art, not a product for selling, but it is how it is.
Also, what you said about me trying to turn a proper book into a web novel... I don't know, maybe. I only ever read web novels and most of my influences are Chinese ones. So to me at least, this is how web novels look. How I write is how they write -- literally, I've lifted entire paragraphs from a few of my favorites.
In the beginning, the universe was created—it went horribly and most people thought that it was originally not a very good idea.

So, you simply saw a cool-looking quote and stole it, huh? :blob_hmm_two:

Anyway, go to other threads. I think you misunderstood what my thread was, or I misled you. You won't find actual help here. I only provide an opinion that represents only me, with rare exceptions.
 

Ehao_Truth

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Messages
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43
I will make this clear. I wouldn't give your novel a chance if not for this thread. Cause it's not my cup of tea. It means you can't sell something to me if I'm not interested in it.

I didn't find a single thing you mention here. I was simply not interested. It wasn't funny, there were no cool characters, no cool mystery, no cool setting, no cool chase scenes, and no cool puzzles. I didn't see any of it. And it's not about you being strange. It's about you having a different taste. You find it cool, great, mysterious, and so on, but I didn't.

Another thing. Everyone jokes that SH's general audience likes smut and Girls Love, which actually isn't 100% false or true, but let's think of it as a truth for now. Did your story have smut? No. Did your story have GL? No. And then you say your story is NOT outside of the general audience's range. C'mon.

If I said about anyone else besides me, excuse me. Sometimes I mess up when I write. I meant that it differs and matters a lot to me. I see a clear division in style between, for example, The Stainless Steel Rat and Magika no Kenshi to Shoukan Maou. It's not about plot or tropes. It's about how they are written. And because of that, I approach them differently. And I would read Steel Rat in my native language, while Magika no Kenshi to Shoukan Maou, I can easily read in English, skim through chapters, skip parts of the text, and so on.

Your story isn't like Magika no Kenshi to Shoukan Maou or some other light\web novels. It's not as easy to read, but most importantly it's not as easy to digest for me. I said it the secon feedback, but I will repeat it here. When I read light\web novels, I expect a b-tier movie. I want some mindless fun. I want to read a generic isekai, I want to read some absolutely unrealistic harem, some over-the-top cultivation novel, and so on. I don't want art, I want entertainment.

Imagine if your story had a BL tag and BL in it. You are currently struggling to force me, who dislike BL, to read BL. To me, it doesn't matter what kind of synopsis you have. I look at it in combination with the tags and sometimes prologue.

Before making any changes to the synopsis or your stories, I will advise you to visit other threads I mentioned. Because I'm picky, and I try to only represent myself.


You might not believe me, but I did pick up on it. I did pick up that Eden isn't as simple. The thing is, I didn't do it from that line.

The problem here is something I mentioned in the second feedback. I don't understand if it's intentional or it's a mistake. And it's another problem with web novel format against a proper book. You try to do something much more serious, but it fails to impress me because you've got mistakes. Plain and simple. I can't discern between the plotholes and foreshadowing. It's either all of them are plotholes, or all of them are foreshadowing, or I should ask you. But... I don't want to ask you. I want to read a chapter before bed and go to sleep. Moreover, you can't be online all the time to answer me and satisfy my curiosity. So I'm basically will be subjected to waiting for you before understanding the whole picture.

I wouldn't read it, but I think it will appeal to others much more. Though I'm not sure, as I said, consult with others.

Look, If you didn't want to make a popular story, you can't complain. You should've known that unpopular stuff is UNPOPULAR.

As for the middle ground. The only middle ground I can think of is to write one popular story and one hidden gem type of story. And use the popular one to promote the other. You write one story for yourself and the other one for the audience.

I didn't find it inexcusable in the first place, I think? It's just my personal preference. I can see how others might like it, but I'm not one of them.

Yes. You failed to sell something I wasn't interested in after I had ascertained that there is nothing I would like. Imagine that while I dislike BL and was actually looking for a no-romance adventure LitRPG, you failed to sell me a BL, slice-of-life rom-com novel.

And I think this is what we call an info dump. And by the way, this is precisely the thing I was talking about. I must think and read attentively. Not only that, you apparently cut out some things, but it is still overly complicated to me. It's not a web novel. If it was a web novel, I could've easily skimmed through or outright skipped parts. With your story, I can't.

Once again, if I used words like we, they, and so on, I'm sorry for misleading you. I try to represent myself.

With that out of the way, to me, it's kinda boring? I would actually prefer reading more of the previously reviewed story, "Reincarnated as a Camera: I Will Build up a Worldly Portfolio," before I get bored of it, which would happen soon.

Perhaps if your story were a manga, I would've given it a try. As for your question, I don't know. Maybe it's you who made it boring, but I highly doubt it. From what I've read in your reply here, it's oversaturated with tropes, twists, turns, genres, depth, everything. I don't even know what would be the right word to use here, but I want something simpler.

I haven't smiled even once.

I did not smile, and it was the opposite. It was boring to read.

The corners of my lips didn't move at all.

Yet another explanation why I don't want to read your story based on tags. I don't like stories with comedy tags because they are fucking unfunny. One more demonstration that you try to sell me a story I want to avoid. If not for the feedback thread, I won't give it a chance.

One more thing. The comedy tag means that your READERS will find your story funny. It doesn't mean that your CHARACTERS find each other funny.

Because you didn't research the market. It's kind of dumb, and you would again say that you create art, not a product for selling, but it is how it is.

In the beginning, the universe was created—it went horribly and most people thought that it was originally not a very good idea.

So, you simply saw a cool-looking quote and stole it, huh? :blob_hmm_two:

Anyway, go to other threads. I think you misunderstood what my thread was, or I misled you. You won't find actual help here. I only provide an opinion that represents only me, with rare exceptions.
You make a good point, actually. I should probably at least remove the comedy tags...
Ahhhh...
My heart!
 

SailusGebel

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You make a good point, actually. I should probably at least remove the comedy tags...
Ahhhh...
My heart!
Don't! Ask others before fixing or changing something just because I didn't like something. Maybe everyone else will find your story funny.

And don't take me wrong. I advise you to look at other threads not because I'm lazy or don't want to help you. In fact, it's because I want to help you I give this advice. Not only my thread isn't a proper critique thread, but I'm also a shit author and a picky reader. I don't even know the proper English terms to phrase my thoughts well enough. I'm not skillful enough to help you.
 

Ehao_Truth

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Don't! Ask others before fixing or changing something just because I didn't like something. Maybe everyone else will find your story funny.

And don't take me wrong. I advise you to look at other threads not because I'm lazy or don't want to help you. In fact, it's because I want to help you I give this advice. Not only my thread isn't a proper critique thread, but I'm also a shit author and a picky reader. I don't even know the proper English terms to phrase my thoughts well enough. I'm not skillful enough to help you.
Too late, already done. Thanks for the advise!
I'm just kidding.
Have a good day, seriously. That's all from me.
 

SailusGebel

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Hello! This is my first ever attempt at writing a story. I published my first chapter just recently so I hope you can look into it and say how you feel about it! Criticism is the best way to improve I feel. So be as honest as possible.
Here's my first chapter
Good day to you. I apologize that the feedback took so long as the queue was cluttered. Before I start with the feedback, I would mention that English is my second language. I stopped reading after finishing Chapter 1: Decievels and Demoruths and a tiny bit of Chapter 2.

It's a disaster.

I will start with the only possible upside. Maybe you don't have any typos or glaring grammar mistakes, but I don't know. The reason for that, I was paying attention to something else.

And this something else is; the complete lack of logic, lack of any necessary details or descriptions, and your monotonous, weird way of writing.
I don't even know what or hot to say. Let's start with the very first paragraph of your story.

First of all, it copies your synopsis. There is nothing wrong with doing this, and it's a neat idea. Some people don't read the synopsis, so repeating yourself is okay. However, people who read the synopsis will click on chapter one, and the first paragraph they see is... synopsis... Why didn't you phrase it differently?

But it's not the end of the problems I've seen in your first paragraph. Zeno stopped himself before he could complete that thought of his. But times are changing. What? Why is it in one paragraph? And even if it's not one paragraph, what are you rebutting\contrasting?

He stopped himself, but times are changing? What? It doesn't make any sense.

Another problem is you don't differentiate between the dialogue lines and the narrator's voice.
"Today’s a big day! You've been working hard since you were a small kid to get into the most prestigious seminary in the world, and now your work has finally paid off! You can finally get into the Holy Seminary and be a Holy Knight. Aren’t you excited?"

Mothers don't talk like that with their children. Moreover, if you make minimal replacements, we will get the following.
Today was a big day! Zeno has been working hard since he was a small kid to get into the most prestigious seminary in the world, and now his work has finally paid off! Zeno finally got into the Holy Seminary to be a Holy Knight. He was excited.

The differences between the narrator talking about a character, and a mother talking about her son is minimal. Add narrator's voice is also weird. With the way you write, there isn't enough emotion anywhere, and the text feels stale.

There aren't enough necessary details for me to understand why the characters saying what they said. They don't feel alive, and I can't understand the logic behind their actions.

"You Demoruths and your delusions." the Holy Knight uttered as he went back to the king's palace which was just a few steps away from the Judgement Sector.
"What a cool guy." Zeno thought as he continued heading to the Holy Seminary.


What the heck? Zeno hates Demoruths because his father was killed, he vows to kill them all. Won't he like, has his blood boil seeing how Demoruth is beheaded? Won't he feel angry at Demoruth? Anything? Something? Why does he think a knight who killed a defenseless person is cool? What's the logic behind this?

"Why, yes! I did. I was going to arrive earlier, but was distracted by a Holy Knight, who was beheading a Demoruth at The Judgment Sector on my way here."
Linda looked amazed at what Zeno had just told her.
"That’s amazing! Let’s hope that both of us get into the Holy Knights. I am so excited to see how our first day of the Holy Seminary will go." Linda stared at Zeno for a solid minute right after she said that.


Again, he talks about Demoruth being beheaded like it's an everyday thing he has seen thousands of times. Considering how almost every Demoruth was killed, I can understand this. But why does he feel so much hate then? Because they killed his father. But why he doesn't feel anything when he mentions them? And why did Linda act like their first day was more important than Demoruth being beheaded?
These were examples of how the lack of descriptions and details hinders me from understanding why things happen.

Now about the lack of logic. The things I mentioned above are minor examples. The main problem is here.

I will create a free world where anyone can explore what they want."

But times are changing. The Holy Knights have been capturing more and more of those Demoruths lately, to the point where the few thousand remaining have gone into hiding.


Huh? What the? How? Why? Why are you doing this to me? Why are you saying that there are a few thousand remaining, but Decievels can't explore what they want? Why are you doing this to me?

A small bit from chapter 2.
"What are you doing at my house?" asked Zeno.
"Simple! I needed a place to hide from
the Holy Knights since I had a feeling that you guys wouldn’t just let me escape back that easily."
"How did you even get in?
The border is surrounded by walls, with only the giant gate as an entrance. Multiple guards should have stopped you!"
"I don’t need to answer all your questions." said the Demoruth girl.

:blob_facepalm:

These were just a couple of examples. It means that I find the whole chapter 1 bad. And don't forget that I look at every mistake in combination. Also, remember that my opinion is subjective, I can be wrong, and I only represent myself.

As usual, I didn't rate your story. But if I had to, 1.5 stars.
 

SailusGebel

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Would you be interested in a high fantasy.
Your story is GB. I won't review it.
 

Rookieqw

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Hello. I need to get some clues on how to improve my writing, so please give me your feedback if you have the time. You can just write it here, in this thread.

 

subtorren2

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hey there, if you're still doing this, then here is my story, just write about it here!
 

aimless

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You can post your review here or in a DM. I don't really mind either way. It might be funnier if you posted it here, though, because then lurkers can point and laugh. Free amusement for everyone! (But really, it's up to you.)
Mfer don’t expose me
 

SailusGebel

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Here is my story that I'm trying to get out rather aggressively (and probably annoyingly as well) for reviews. It is an Action Adventure Fantasy type of story. As I said in the thread I started yesterday, I encourage brutality, it's not great at the moment and I want to improve my creation through trial by fire.
Good day to you. Before I start with the feedback, I would mention that English is my second language. I stopped reading after finishing Chapter 1: Yafu’s Revenge (Version 1.1) Part 2

I will start the feedback with your synopsis. It's overly long, it's convoluted, and it's an info dump.

Slightly less than 400 words of your synopsis give me at least ten names. Zavier, Yafu, Biterrain, Shen, Posion fang, Arigo, Anenna, Radia, Cirko, Immortal King. It's not even about getting interested or not. It's hard to remember and read. As if I opened a Wikipedia page of a movie and read the plot of that movie. It's not a synopsis but a brief summary.

Not only that, this phrase is hard to understand.
As Yafu coerces a reluctant Zavier into his vengeance fueled mission, the two meet Arigo, a mysterious and powerful defender of Earth from Biterrain interlopers such as the Fang, and Anenna, his faithful assistant and ward who has her own murky past in the Biterrain.

Here's the thing, I don't understand where you made a mistake in the text and where everything is done intentionally. Is Anenna Arigo's faithful assistant, or is Anenna Fang's assistant? What the hell is a ward? Is this a mistake?

I will first talk about your plot, characters, and so on. As I'm a reader, give feedback as a reader, and don't claim that this is a proper critique, I can be concise here. It's boring.

Your synopsis doesn't let me understand what to expect from your story, and I don't want to read a story with bad grammar and a writing style that I don't like. I can hope it might turn interesting, but it's not enough for me. There is simply no incentive for me to read further.

With this out of the way, I can talk about your writing style, your grammar, and so on. It's weird and hard to read. It will be hard for me to make examples and group them properly because all of your text is weird. However, I will try.

Let's start with paragraphing. The way you group sentences into paragraphs is weird and make it hard for me to read. Almost every huge paragraph can be split into a few less lengthy ones.

Example.
Tonight was truly a great triumph for him. He had spent cycles (about eighteen months per one cycle) of research and investigation to reach this point. His obsession had peaked in intensity over the last few months, as the opportunity afforded to him tonight revealed itself.

Here in this seldom used compound in a seldom visited sector of Revival City, the most wanted terrorists on the planet would gather. Despite his faith leading up to this moment, he had doubts about seeing them bear fruit on this chosen night.

Papers, maps, and rumors had a superficial quality to them until he was able to see his targets physically appear in front of him. And yet, there was no mistaking the first guest to walk in after him to this place. Her name was supposedly Taia from his research, but more importantly her appearance matched a lead female member of the Poison Fang. He could not wait to meet her colleagues.


I've split your paragraph into three. You need to do a bit more work to make it flow smoother, but even without it, I find it much more pleasant to the eye and easier to understand.

Other lengthy paragraphs need more rewriting before splitting them, but it's not my job to do so. Previously I just wanted to show an example that there is no reason to have those lengthy paragraphs. I will also mention that two freaking huge info-dump paragraphs in chapter 2 were the reasons I decided not to read further.

And yet, here gather the Fang. Their motivations were clear for them as they were clear for the men and women before them. The teachings insist that the Immortal King could not die and therefore a line of thinking emerged that he must still be on this Earth. Some followers and prophets had even preached that his promise of his namesake immortality as real for the common man and that it was waiting for those who could make it to Earth. Others claimed Earth is a cursed place for taking the King away from his Kingdom and his followers must someday liberate him so he may finish the process of during the Biterrene to paradise. Regardless of the spectrum of ancient interpretations, Earth remained a fabled fascination for the populace. Despite this iconic status within the culture, doubt has become the dominant attitude towards Earth in more modern times. Every passing century, failed attempts to prove even the material existence of Earth have piled up against the few old papers and documents preserved vouching for it. The more secular powers across the planets had all pretty much banned attempts to reach Earth for safety reasons a few generations prior. As a result, genuine attempts to reach the third planet now we're only reserved for the outcast and fringe elements of society. The Poison Fang were such fringe, extreme individuals. They were ruthless terrorists who were pariahs even in the more militant circles of their practice. But they were also true believers and determined to forge a path to the promised land despite the obvious risks. In Yafu amateur theological opinion, they were speeding towards predictable disaster. The aftermath of their folly tonight would be Yafu’s best and likely only opportunity to accomplish his long dreamt about goal; To kill Shen.

Now let's talk about your weird way of writing.
He had his soul aura and energy were completely contained and indistinguishable from his surroundings. He had were? What?

Cirko turned his head for the first time since he had last spoken to look at Shen. “Impatient.” Overall weird phrase.

Everyone in the room directed their eyes to the balcony opposite where Yafu was hiding. Yafu felt a chill run down his spine. A pressure emanated from this new speaker. Overall weird. When I read your phrase, it seems like Yafu feeling a chill, and the pressure being emanated isn't connected.
I'm a shit author, but I'm forced to show you an example of what I think would be a better way to phrase this. "Feeling pressure emanating from this new speaker, Yafu felt a chill run down his spine." This is how I understand that Yafu was pressured by the new speaker.

Now let's talk about your strange choice of word.
Here in this seldom used compound in a seldom Seldom, seldom. Repetition.

He had spent cycles (about eighteen months per one cycle) of research Why use cycles if you will give a very bad explanation of how much a cycle is. Use years or a decade.

Like most people across the Biterrene
across both planets of the Biterrain.
Self-explanatory. One word somehow has two different spellings.

I'm a bit lazy to give more in-depth explanations and show more examples. Just know that it's not about one thing being badly written or me not liking one thing out of many. I look at everything in combination.

Your weird paragraphing, your weird phrases, strange word choices, and other things altogether make it hard to read and understand.
As usual, I didn't rate your story. But if I had to, 1.5 stars. Very hard to read and even harder to comprehend.
 

Sairren

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Feel free to say what you like. My co-creator and I would be happy to see you be more blunt than a dwarf who's had a few too many drinks. o wo)b

 

SailusGebel

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Hello. I need to get some clues on how to improve my writing, so please give me your feedback if you have the time. You can just write it here, in this thread.

Good day to you. Before I start with the feedback, I would mention that English is my second language. I stopped reading after finishing a part of the Description of some terms and Prologue.

I will be honest. I'm too lazy to even force myself into reading your story, much less giving some feedback. It's not my cup of tea, I find it boring, and the writing isn't the best.

I will start with the fact that you added a separate description of terms instead of explaining everything properly in the story. I think it's a huge flaw and a sign of bad writing.

Then I will mention your obnoxiously lengthy paragraphs that can be easily split into a few shorter ones. You start with three huge info dumps and descriptions of way too many things at once. I can't keep up with all the new info, and the fact that they are all in three huge paragraphs doesn't make it easier to read.
Some of your other descriptions are also way too long.

You repeat things or use the same words.
Examples.
The phrases Gregor was a wolfkin of the Ice Fang order and Gregor was a tall wolfkin are in the same paragraph.

the color of her fur was that of the night color

There is a mistake in the beginning.
She carefully went up to the first floor What? Do you know what you've written before this?

"I will," Aranea heard as her father stood up, moving toward the stairs to the second floor.

I don't understand the logic in the story. Aranea is three years old. Though she grows faster because of her mother's genes, she is still a very young child. She is three years old.

her family celebrated her third birthday. The wolfkins of the Ice Fang order were still small at this age and could barely talk. Yet Aranea had the blood of her mother

Unlike her cousins of the Ice Fang order of similar age, Aranea could already talk like a grown up and could even read books.

What does it mean, to talk like a grown-up? Is this your way of saying that she is a teenager? That's why she doesn't act like a young child?

"Of course not, but she is going through a phase. When I was young, I always argued with my parents," Gregor laughed
Talking like a grown-up is equal to going through a phase? And how come Gregor can compare himself to his daughter. He is of a different species. I don't understand this.

I found one typo. opportunities.Gregor

There are weird phrases.
Examples.
His eyes were crimson in color, not glowing with inner flame like the eyes of his wife, yet still very visible red orbs. Yet visible red orbs?

The fur around the red eye was slightly pale, as if reminding the young cub that she was a kid of both worlds. A kid of both worlds? She is simply a half-breed.

That's pretty much it. I don't have any mental strength to force myself into reading more or trying to be more helpful. As usual, I didn't rate your story. But if I had to, 2-2.5 stars.
 
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